 | Henry Sussman - 1997 - 338 Seiten
...his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech,... | |
 | Moses Mendelssohn - 1997 - 370 Seiten
...his conceit? and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? . . . - Hamlet, Act II, Scene n What a masterstroke! Experience teaches that dejected... | |
 | Richard Halpern - 1997 - 308 Seiten
...his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech,... | |
 | Michael A. Morrison - 1997 - 418 Seiten
...What's Hecuba to him, or he to Hecuba,/ That he should weep (drawn out) for her (downward emphasis)? What would he do,/ Had he the motive and the cue for passion/ That /have (downward emphasis)? He would drown the stagewith tears (drawn out)/ And cleave... | |
 | Michael Schulman, Eva Mekler - 1998 - 370 Seiten
...his conceit? and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech,... | |
 | Elena Alexander, Douglas Dunn - 1998 - 204 Seiten
...plundered was her last remaining child, her daughter Cassandra, he might have an emoThat he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech,... | |
 | Stephen Orgel, Sean Keilen - 1999 - 356 Seiten
...his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? [2.2.534-46] Hamlet makes the point that dances before us in every scene. Dramatic,... | |
 | Joan Ackermann - 1999 - 60 Seiten
...thee, get thee. (Sinks back into character.) What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech... | |
 | Valeria Wagner - 1999 - 288 Seiten
...the "time" that is "out of ^Hamlet is here taking the place of the player in H.ii, of whom he says: What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech,... | |
 | Robert Weimann - 2000 - 324 Seiten
...of this speech, the speaker's awareness of play and the reference to the (First) Player looms large. What would he do Had he the motive and [the cue] for passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech... | |
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What's Hecuba to him, or he to Hecuba, That he should weep for her/ What would he do, Had he the motive and the cue for passion That I have... 
