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" As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious, Even so, or with much more contempt, men's eyes Did scowl on Richard : no man cried, God save him... "
Palæstra musarum; or, Materials for translation into Greek verse, selected ... - Seite 224
von Benjamin Hall Kennedy - 1856
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The Dramatic Works of William Shakespeare: From the Text of Johnson ..., Band 1

William Shakespeare - 1825 - 508 Seiten
...he the while ? Vort. As in a theatre, the eyes of men, After a well-grac'd actor leaves the ttage, Are idly bent* on him that enters next, Thinking his...: Even so, or with much more contempt, men's eyes [him ; Did scowl on Richard; no man cried, God save No joyful tongue gave him his welcome home : Bat...
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The Works of Shakspeare: From the Text of Johnson, Steevens, and Reed

William Shakespeare - 1825 - 1010 Seiten
...poor Richard! where rides he the while? York. As in a theatre, the eyes of men, After a well grac'd . And hU prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard; no...
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The Plays of William Shakspeare, Bände 11-12

William Shakespeare - 1826 - 996 Seiten
...poor Richard ! where rides be the while ? York. As in a theatre, the eyes of men, After a well-grac'd t, Else would I very shortly see thee there : lint,...and I will go. [Ejrit. SCENE II. — A Street. Enter bis sacred head ; Which with such gentle sorrow he shook oil', — His face still combating with tears...
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Cumberland's British Theatre: With Remarks, Biographical and ..., Band 11

1826 - 320 Seiten
...nose wilt fipe.tr- grass, or compounding a cup of sack. The loss of Falstaff is irreparable — " Xs in a theatre, the eyes of men, After a well-graced actor leaves the stage, Arc idly bent on him that enters next" — we hear of Azincour — but we think of Shrewsbury. The...
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The Works of John Dryden, Volume XIII: Plays: All for Love, Oedipus, Troilus ...

John Dryden - 1985 - 672 Seiten
...from pitty if you can. As in a Theatre, the eyes of men After a well-grac'd Actor leaves the Stage, 20 Are idly bent on him that enters next, Thinking his...to be tedious: Even so, or with much more contempt, mens eyes Did scowl on Richard: no man cry'd God save him: No joyful tongue gave him his welcom home,...
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Directions by Indirections: John Barton of the Royal Shakespeare Company

Michael L. Greenwald - 1985 - 332 Seiten
...Nor does the speech suggest the theatricality inherent in the script; others are more indicative (eg, "As in a theatre the eyes of men / After a well-graced actor leaves the stage ..." 5.2. 23ff ). Anne Barton's excellent discussion of the reflexive theatricality of Richard II,...
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Northrop Frye on Shakespeare

Northrop Frye - 1988 - 196 Seiten
...the people that a new king will give a new life to the nation is put by York into its proper context: As in a theatre the eyes of men, After a well-graced...the stage, Are idly bent on him that enters next. (V.ii. 23-25) The illusion of movement in history corresponds to the processional aspect of a drama,...
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Theater Enough: American Culture and the Metaphor of the World Stage, 1607-1789

Jeffrey H. Richards, Professor of Theatre Jeffrey H Richards - 1991 - 368 Seiten
...how Richard rode with Bolingbroke into London: As in a theatre, the eyes of men, After a well-grac'd actor leaves the stage, Are idly bent on him that...or with much more contempt, men's eyes Did scowl on gentle Richard. (5.2.23-28) Left to himself in Pomfret Castle, Richard continues to see his place in...
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The Columbia Granger's Dictionary of Poetry Quotations

Edith P. Hazen - 1992 - 1172 Seiten
...iv) 91 The shadow of your sorrow hath destroyed The shadow of your face. (IV, i) 92 As in a theater [& D (V, ii) 93 How sour sweet music is, When time is broke and no proportion kept! So is it in the music...
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Shakespeare the Actor and the Purposes of Playing

Meredith Anne Skura - 1993 - 348 Seiten
...phrased as one between dull and charismatic actors: As in a theater the eyes of men, After a well-grac'd actor leaves the stage, Are idly bent on him that...much more contempt, men's eyes Did scowl on Richard. (R2 5.2.23-28)* As the play unfolds we see how appropriate it is that Shakespeare portray the known...
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