 | 1809 - 448 Seiten
...cadence of a troop of (fray plover in an autumnal momiii£T« without feeling an elevation of soul Tike the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this he owing? Are we apiece of machinery, which, like the Eolinn harp, passive, takes the impression of... | |
 | Isaac Bailey - 1814 - 826 Seiten
...solitary whistle of the curlew, in a summer noon, or the wild mixing cadence of a troop of grey plovers, in an autumnal morning, without feeling an elevation...of soul like the enthusiasm of devotion or poetry." The authoress of the Wild Irish Girl, puts the following beautiful sentence into the mouth of her heroine.... | |
 | Sir Egerton Brydges - 1815 - 434 Seiten
...the curlew in a summer noon, or the wild mixing cadence of a troop of grey plovers, in an antumnal morning, without feeling an elevation of soul like...be owing? Are we a piece of machinery, which, like an Eolian harp, passive, takes the impression of the passing accident? Or do these workings argue something... | |
 | Robert Burns - 1815 - 354 Seiten
...solitary whistle of the eurlew, in a summer noon, or the wild mixing eadenee of a troop of grey plovers, in an autumnal morning, without feeling an eleVation...devotion or poetry. Tell me, my dear friend, to what ean this he owing ? Are we a pieee of maehinery, whieh, like the Eolian harp, passive, takes the impression... | |
 | Robert Burns - 1816 - 714 Seiten
...solitary whistle of the curlew, in a summer noon, or the wild mixing cadence of a troop of grey plover, in an autumnal morning, without feeling an elevation...like the Eolian harp, passive, takes the impression of the passing accident ? Or do these workings argue something within us above the trodden clod ? I... | |
 | Robert Burns - 1819 - 658 Seiten
...solitary whistle of the curlew, in a summer noon, or the wild mixing cadence of a troop of grey plover, in an autumnal morning, without feeling an elevation...like the Eolian harp, passive, takes the impression of the passing accident ? Or do these workings argue something within us above the trodden clod ? I... | |
 | Robert Burns - 1819 - 388 Seiten
...solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plovers in an autumnal morning, without feeling an elevation...owing. Are we a piece of machinery, which, like the Eoliau harp, passive, takes the impression of the passing accident ? Or do these workings argue something... | |
 | 1819 - 364 Seiten
...solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plovers in an autumnal morning, without feeling an elevation...owing. Are we a piece of machinery, which, like the Eoliau harp, passive, takes the impression of the passing accident ? Or do these workings argue something... | |
 | Constable and co, ltd - 1826 - 734 Seiten
...solitary whistle of the curlew, in a summer noon, or the wild mixing cadence of a troop of grey plover, in an autumnal morning, without feeling an elevation...owing? Are we a piece of machinery, which, like the .Eoliiiu harp, passive, takes the impression of the passing accident ? Or do these workmgs argue something... | |
 | Robert Burns, Alfred Howard - 1826 - 226 Seiten
...solitary whistle of the curlew, in a summer noon, or the wild mixing cadence of a troop of grey plover, in an autumnal morning, without feeling an elevation...owing ? Are we a piece of machinery, which, like the JEoMan harp, passive, takes the impression of the passing accident ? Or do these work, ings argue something... | |
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I never hear the loud solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of gray plover in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. 
