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" But let concealment like a worm i' th' bud Feed on her damask cheek: she pin'd in thought, And with a green and yellow melancholy, She sat like Patience on a Monument, Smiling at grief. "
An Introduction to the Classics: Containing a Short Discourse on Their ... - Seite 269
von Anthony Blackwall - 1737 - 271 Seiten
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The Works of William Shakespeare, Band 1

William Shakespeare - 1810 - 444 Seiten
...thing I ever saw. It is an image of patience. Speaking of a maid in love, he says, She never told her love, But let concealment, like a worm i' th' bud, Feed on her damask cheek : she pin'd in thought ; And, with a green and yellow melancholy, She sat like Patience, on a monument, Smiling at...
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Elements of Elocution: In which the Principles of Reading and Speaking are ...

John Walker - 1810 - 394 Seiten
...And mine's a sad one. Shakespeare's Merchant of Venice. Deep Melancholy described. She never told her love, But let concealment, like a worm i' th' bud, Feed on her damask cheek. She pin'd in thought, *1 with a green and yellow melancholy sat like Patience on a monument Smiling at Grief. Ibid....
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The village curate, and other poems

James Hurdis - 1810 - 358 Seiten
...Perdita come tripping forth With mint and marj'ram, rosemary and rue : Or Viola, that never told her love, But let concealment like a worm i' th' bud Feed on her damask cheek. With hearty laugh We still dismiss the still outwitted rogue, But still pretending Falstaff. Then we...
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Encyclopædia Britannica: or, A dictionary of arts and sciences ..., Band 6

Encyclopaedia Britannica - 1810 - 824 Seiten
...wall he flies, And fires his hoft with loud repeated cries. Iliad, Book xli. 521. . She never told her love ; But let concealment, like a worm i' th' bud, Feed on her daraaik cheek : fhe pin'd in thought ; And with a green and yellow melancholy, She fit like Patience...
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The modern theatre; a collection of successful modern plays selected ..., Band 8

Modern theatre - 1811 - 372 Seiten
...power. Enter CHARLOTTE, witk a volume of Shakespeare in her hand. Char. (Reading. ) " She never told her love ; But let concealment, like a worm i' th' bud, Feed on her damask cheek : she pin'd in thought, And, with a green and yellow melancholy, She sat like Patience on a monument, Smiling at Grief."...
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the history of sir charles grandison

William miller, albemarle street: and james carpenter - 1811 - 438 Seiten
...detected me! While the noble Clementina, as in that admirable passage cited by her, ' Never told her love, But let concealment, like a worm i" th' bud, Feed on her damask cheek. ' How do I admire her for her silence! But yet, had she been circumstanced as your Harriet was, would...
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The modern British drama, Band 5

British drama - 1811 - 710 Seiten
...do pity yoo, from my soul. Miss Har. Then, why won't yon leave me ? Young Cla. ' She never told her love, But let concealment, like a worm i' th' bud Feed on her damask cheek.' Take warning, miss, when yon once begin to pint in thought, 'tis all over with you ; and be assured,...
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The Modern British Drama: In Five Volumes, Band 5

Sir Walter Scott - 1811 - 698 Seiten
...do pity you, from my soul. Miu Har. Then, why won't you leave me ? Young Cla. ' She never told her love, But let concealment, like a worm i' th' bud Feed on her damask cheek.' Take warning, miss, when you once begin to pine in thought, 'tis all over with you ; and be assured,...
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The Works of William Shakespeare: In Nine Volumes, Band 1

William Shakespeare - 1810 - 436 Seiten
...thing I ever saw. It is an image of patience. Speaking of a maid in love, he says, She never told her love, But let concealment, like a worm i' th' bud, Feed on her damask cheek : she pin'd in thought ; And, with a green and yellow melancholy, She sat like Patience, on a monument, Smiling at...
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The Plays of William Shakespeare: In Twenty-one Volumes, with the ..., Band 20

William Shakespeare - 1813 - 480 Seiten
...[Exeunt MONTAGUE and Lady. BEN. Good morrow, cousin. ROM. Is the day so young ?l " She never told her love, " But let concealment, like a worm i' th' bud, " Feed on her damask cheek." . In the last Act of this play our poet has evidently imitated the Rosamond of Daniel; and in the present...
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