 | Louis Du Pont Syle - 1894 - 496 Seiten
...And those sad eyes were spiritual and clear: 31o How changed thou art! how pallid, chill, and drear! Give me that voice again, my Porphyro, Those looks...dear! Oh leave me not in this eternal woe, For if thou dicst, my Love, I know not where to go." 315 Beyond a mortal man impassion'd far At these voluptuous... | |
 | Louis Du Pont Syle - 1894 - 508 Seiten
...Oh leave me not in this eternal woe, For if thou diest, my Love, I know not where to go." 3*5 xxxvI. Beyond a mortal man impassion'd far At these voluptuous accents, he arose, Ethereal, flush'd, and like a throbbing star Seen 'mid the sapphire heaven's deep repose : Into her dream he... | |
 | John Barnard - 1987 - 192 Seiten
...importantly, although he fails to notice that Keats's change excises Madeline's declaration of love ('For if thou diest, my love, I know not where to go'), he does note that in the new version it is unambiguously said that Porphyro makes love to Madeline... | |
 | Wendy Steiner - 1988 - 242 Seiten
...vow; And those sad eyes were spiritual and clear: How changed thou art! how pallid, chill, and drear! Give me that voice again, my Porphyro, Those looks immortal, those complainings dear!" (11.307-13) Madeline begs Porphyro to be other than a mere image — to speak, to move, to be a vital... | |
 | Daniel P. Watkins - 1989 - 246 Seiten
...it is to express her desire for the transcendental masculine voice that had been heard in her dream: "Give me that voice again, my Porphyro, / Those looks immortal, those complainings dear!" (312—13). Further, her role requires complete self-denial, complete vulnerability; she retires to... | |
 | L. J. Swingle - 1990 - 318 Seiten
...finds that the song has ended. Overwhelmed by the "painful change" (300), she cries out to Porphyro: "Give me that voice again, my Porphyro, / Those looks immortal, those complainings dear! / O leave me not in this eternal woe" (312-14). The sprawling quality of Keats's early Endymion and... | |
 | Carl R. Woodring, James Shapiro - 1995 - 936 Seiten
...And those sad eyes were spiritual and clear: 310 How chang'd thou art! how pallid, chill, and drear! Give me that voice again, my Porphyro. Those looks...immortal, those complainings dear! Oh leave me not in this etemal woe. For if thou diest, my love, I know not where to go. " 36 Beyond a mortal man impassion... | |
 | John Keats, Robert Gittings - 1995 - 324 Seiten
...'And those sad eyes were spiritual and clear: 'How chang'd thou art! how pallid, chill, and drear! 'Give me that voice again, my Porphyro, "Those looks immortal, those complainings dear! 'O leave me not in this eternal woe, 315 Tor if thou diest, my Love, I know not where to go.' xxxvi... | |
 | Jack Stillinger - 1999 - 199 Seiten
...devout R 309 with] by D 309 sweetest] softest R "How chang'd thou art! how pallid, chill, and drear! "Give me that voice again, my Porphyro, "Those looks...complainings dear! "Oh leave me not in this eternal woe, 315 "For if thou diest, my Love, I know not where to go." XXXVI. Beyond a mortal man impassion 'd far... | |
 | Andrew Motion - 1999 - 702 Seiten
...vow, And those sad eyes were spiritual and clear; How changed thou art! How pallid, chill, and drear! Give me that voice again, my Porphyro, Those looks immortal, those complainings dear! O leave me not in this eternal woe, For if thou diest, my Love, I know not where to go.' Beyond a mortal... | |
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but even now Thy voice was at sweet tremble in mine ear, Made tuneable with every sweetest vow; And those sad eyes were spiritual and clear: How chang'd thou art! how pallid, chill, and drear! Give me that voice again, my Porphyro, Those looks immortal,... 
