 | Laurel Richardson, Ernest Lockridge - 2004 - 278 Seiten
...skeletons epic proportions. Ophelia's a-moldering outside somewhere in an unmarked, unhallowed ditch. Now get you to my lady's chamber and tell her, let her paint an inch thick, to this favor she must come. We devour a dinner of delectable Danish ribs, two full racks, and spend the night... | |
 | Paul A. Cantor - 2004 - 122 Seiten
...(Ill.i. 142-4) His obsession with women's makeup culminates in his instructions to Yorick's skull: Now get you to my lady's chamber. and tell her. let her paint an inch thick. to this favor she must come; make her laugh at that. (Vi 192-5) The movement of this speech is characteristic... | |
 | Susan Rowland - 2005 - 244 Seiten
...Horatio, a fellow of infinite jest. . . Here hung those lips, that I have kiss'd I know not how oft. . . Now get you to my Lady's chamber, and tell her, let her paint an inch thick, to this favour she must come. Make her laugh at that. (V, i, 178-89) So far in this scene the extinction of Hamlet... | |
 | Kenneth Muir - 2005 - 224 Seiten
...Hamlet's attack on cosmetics both in his scene with Ophelia and in the graveyard where he tells Yorick: 'Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come.' But the speech is also linked with the discussion of the purpose of playing and the... | |
 | Peter Holland - 2005 - 396 Seiten
...that were wont to set the table on a roar? Not one now to mock your own grinning? Quite chop-fallen! Now get you to my lady's chamber and tell her, let her paint an inch thick, to this favour she must come. Make her laugh at that. (5.1.171-80) This powerful memento mori, a theatrical confrontation... | |
 | William Shakespeare - 2005 - 900 Seiten
...that were wont to set the table on a roar? Not one now to mock your own grinning? Quite chop fallen? Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come. Make her laugh at that. Prithee, Horatio, tell me one thing. HORATIO What's that, my... | |
 | Catherine E. Ingrassia, Jeffrey S. Ravel - 2005 - 364 Seiten
...blazoned upon the skin, may ultimately hasten one's end. Like Hamlet's address to Yorick's skull — "Now get you to my lady's chamber, and tell her, let her paint an inch thick, to this favor she must come"cosmetics remind the mercurial woman that she cannot — as one contemporary observer... | |
 | John R. Dorsey - 2005 - 236 Seiten
...but it is the slow and continuous that has the deeper meaning, and we all know what it is. Get thee to my lady's chamber and tell her let her paint an inch thick, to this favor she must come. THE RENAISSANCE OF EMOTION Memory, mourning sculpture, by Hans Schuler, 7907,... | |
 | Laurie E. Maguire - 2006 - 246 Seiten
...we see Hamlet with a skull in his hand — a typical memento mori pose. Hamlet addresses the skull: "Get you to my lady's chamber, and tell her, let her paint an inch thick, to this favor [face] she must come" (5.1.192-94). (In other words: go and tell women that this is what a female... | |
 | Paul Menzer - 2006 - 252 Seiten
...the more familiar folio version, Hamlet urges the skull to act as a spokesman for memento mori: "Go to my lady's chamber and tell her let her paint an inch thick to this favor she must come."6 (Incidentally, this remark recalls for us, if not for Hamlet, his earlier excoriation... | |
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I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen? Now get you to my lady's chamber, and... 
