| James Michael Thomas - 2005 - 379 Seiten
...underlined and rhythmic pauses are indicated by double bars. HAMLET Speak the speech, // I pray you, // as I pronounc'd it to you, // trippingly on the tongue;...mouth it, // as many of our players do, // I had as lief the town crier spoke my lines. // Nor do not saw the air too much with your hand, // thus, //... | |
| 2004 - 428 Seiten
...by opposing end them. (Ill, i, 55-59) Hamlet ($=.# • $-# ' 55-59 ft) Speak the speech, I pray you, as I pronounc'd it to you, trippingly on the tongue;...you mouth it, as many of our players do, I had as life the town-crier spoke my lines. (...) for any thing so o'erdone is from the purpose of playing,... | |
| Arthur F. Kinney - 2004 - 196 Seiten
...players the very opposite of the artificial and derived: Speak the speech, I pray you, as I pronounced it to you — trippingly on the tongue; but if you mouth it, as many of your players do, I had as lief the town-crier had spoke my lines. Nor do not saw the air too much... | |
| Heinrich F. Plett - 2004 - 600 Seiten
...Rhetorical Delivery (actid) as Dramatic Acting Hamlet: Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue; but if you mouth it as many of your players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with... | |
| Stephen Unwin - 2004 - 256 Seiten
...insight into the Elizabethan theatre at work: HAMLET Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue. But if you mouth it, as many of your players do, I had as lief the town crier spoke my lines. Nor do not saw the air too much with... | |
| Aileen Bloomer, Patrick Griffiths, Andrew John Merrison, Andrew Merrison - 2005 - 516 Seiten
...insert into their play: Hamlet: Speak the speech, I pray you, as I pronounced it to you, 2 trippingly on the tongue. But if you mouth it as many of our players do, I had as lief the town crier spoke my lines. Nor do not 4 saw the air too much with your hand, thus. But use... | |
| William Shakespeare - 2005 - 900 Seiten
...come from behind the curtains HAMLET [to the First Player] Speak the speech I pray you as I pronounced it to you, trippingly on the tongue, but if you mouth it as many of your players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with... | |
| James Zager, William Shakespeare - 2005 - 70 Seiten
...or sharing a line.) [Hamlet: Act III Scene ii] COMPANY. Speak the speech I pray you, as I pronounced it to you trippingly on the tongue: But if you mouth it, as many of your players do, I had as lief the town-crier had spoke my lines. Nor do not saw the air too much... | |
| Dick Curtis - 2006 - 229 Seiten
...evidenced by Hamlet's speech to the players, when he said . . .Speak the speech I pray you, as I pronounced it to you, trippingly on the tongue . . . but if you mouth it, as many of your players do ... I had as leif the town crier spoke my lines." The old actor then proceeded to... | |
| John Mantle Clapp, John Clapp, Mantle, Edwin A. Kane - 2006 - 661 Seiten
...that catch the ear because of their striking sound : "Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue; but if you mouth it, as many of your players do, I had as lief the town-crier spoke my lines." "Of course, the personal equation... | |
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