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" A poet is the most unpoetical of anything in existence, because he has no identity ; he is continually in for, and filling, some other body. The sun, the moon, the sea, and men and women, who are creatures of impulse, are poetical, and have about them... "
The Daguerreotype - Seite 273
1849
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Geschlecht und Charakter: eine prinzipielle Untersuchung

Otto Weininger - 1907 - 646 Seiten
...poet. It does no harm from its relish of the dark side of things, any more than from its taste for the bright one, because they both end in speculation....he has no identity: he is continually in for, and rilling, some other body. The sun, the moon, the sea and men and women, who are creatures of impulse,...
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Shakespeare

Sir Walter Alexander Raleigh - 1907 - 252 Seiten
...of neutral intellect — but they have not any individuality, any determined Character." And again: "A poet is the most unpoetical of anything in existence,...is continually in for and filling some other body." Keats also recognised, as well as Shakespeare, that man cannot escape the call to action, and it was...
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Der Sensualismus bei John Keats

Sibylla Geest - 1908 - 74 Seiten
...its relish of the dark side of things, any more than from its taste for the bright one, because fhey both end in speculation. A poet is the most unpoetical...the Moon, — the Sea, and men and women, who are crcatures of Impulse, are poctical and have about them an unchangeable attribute; the poet has none,...
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Beiträge zur neueren Literaturgeschichte, Band 1

1908 - 550 Seiten
...its relish of the dark side of things, any more than from its taste for the bright one, because tliey both end in speculation. A poet is the most unpoetical...is continually in for and filling some other body. Tlie Sun, — the Moon, — the Sea, and men and women, who are creatures of impul8e, are poetical...
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Der sensualismus bei John Keats ...

Sibylla Geest - 1903 - 80 Seiten
...unpoetical of anythiny in cjcistence, bccause he has no Identity — he is contim,ally in for and filliny some other body. The Sun, — the Moon, — the Sea, and men and women, who are crcatures of ,Impulse, are poetical and have about thetn an unchangeable attribute; the poet has none,...
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The Romantic Movement in English Poetry

Arthur Symons - 1909 - 362 Seiten
...it, with a not unnatural application to poets in general, in one of his letters. 'A poet [he writes] is the most unpoetical of anything in existence, because...moon, the sea, and men and women, who are creatures of impulse, are poetical, and have about them an unchangeable attribute, the poet has none, no identity....
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The Romantic Movement in English Poetry

Arthur Symons - 1909 - 372 Seiten
...it, with a not unnatural application to poets in general, in one of his letters. 'A poet [he writes] is the most unpoetical of anything in existence, because...moon, the sea, and men and women, who are creatures of impulse, are poetical, and have about them an unchangeable attribute, the poet has none, no identity....
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Oxford Lectures on Poetry

Andrew Cecil Bradley - 1923 - 416 Seiten
...poet. It does no harm from its relish of the dark side of things, any more than from its taste for the bright one, because they both end in speculation.*...He is continually in, for, and filling some other body.'8 That is not a description of Milton or Wordsworth or Shelley ; neither does it apply very fully...
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Geschlecht und Charakter: eine prinzipielle Untersuchung

Otto Weininger - 1909 - 640 Seiten
...poet. It does no barm from its relish of the dark side of things, any more than from its taste for the bright one, because they both end in speculation....no identity: he is continually in for, and filling, Home other body. The sun, the moon, the sea and men and women, who are creatures of Impulse, are poetical...
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Oxford Lectures on Poetry

Andrew Cecil Bradley - 1909 - 422 Seiten
...of things, any more than from its taste for the bright one, because they both end in speculation.2 A poet is the most unpoetical of anything in existence,...He is continually in, for, and filling some other body.'3 That is not a description of Milton or Wordsworth or Shelley ; neither does it apply very fully...
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