 | William Shakespeare - 1856 - 574 Seiten
...your mouth, and it will discourse most eloquent music. Look you, these are the stops. Guil. But these cannot I command to any utterance of harmony : I have not the skill. Ham. Why, look you now, how unworthy a thing you make of me. You would play upon me ; you would... | |
 | William Shakespeare - 1856 - 380 Seiten
...your mouth, and it will discourse most excellent music. Look you, these are the stops. Gull. But these cannot I command to any utterance of harmony ; I have not the skill. Ham. Why, look you now, how unworthy a thing you make of me. You would play upon me; you would... | |
 | Robert E. Wood - 1994 - 188 Seiten
...with your fingers and thumbs." Another denial of skill precedes the lesson that concludes the prank. Why, look you now, how unworthy a thing you make of me! You would play upon me, you would seem to know my stops, you would pluck out the heart of my mystery, you would sound me from my lowest... | |
 | Miguel Teruel Pozas - 1994 - 306 Seiten
...mouth: and it will discourse most eloquent music. Look you. these are the slops. GutUH'NSTURN: But these cannot I command to any utterance of harmony. I have not the skill. MAMI.IT: Why. look you now. how unworthy a thing you make of me! You would play upon me. You... | |
 | Richard Courtney - 1995 - 274 Seiten
...recorders. Hamlet politely begs Guildenstern to play one. When he cannot, Hamlet issues a sharp warning: Why, look you now, how unworthy a thing you make of me! You would play upon me. You would seem to know my stops. You would pluck out the heart of my mystery. You would sound me from my lowest... | |
 | Anton Pavlovich Chekhov, Vera Gottlieb - 1996 - 62 Seiten
...your mouth, and it will discourse most eloquent music.' NIKITA: T have not the skill.' SVETLOVIDOV: 'Why, look you now, how unworthy a thing you make of me. You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery. Do you think I am easier to be... | |
 | 1996 - 264 Seiten
...an inch away from GUILDENSTERN's ear. HORATIO watches for any move from ROSENCRANTZ to help. HAMLET Why, look you now, how unworthy a thing you make of me. You would play upon me, you would seem to know my stops, you would pluck out the heart of my mystery, you would sound me from my lowest... | |
 | Nina Auerbach - 1997 - 540 Seiten
...integrity to Rosencrantz and Guildenstern after the play might have come from the soul of Ellen Terry: "Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me from my lowest... | |
 | Richard Hoggart - 380 Seiten
...Only two things the people anxiously desire, bread and circus games. Juvenal, Satires, X, c. AD 100 Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery . . . William Shakespeare, Hamlet... | |
 | Richard Halpern - 1997 - 308 Seiten
...useful."50 The allusion, of course, is to Hamlet's famous description of himself as a musical pipe: Why, look you now, how unworthy a thing you make of me! You would play upon me, you would seem to know my stops, you would pluck out the heart of my mystery, you would sound me from my lowest... | |
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Why, look you now, how unworthy a thing you make of me ! You would play upon me ; you would seem to know my stops ; you would pluck out the heart of my mystery; you would sound me from my lowest note to the top of my compass : and there is much music,... 
