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" The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. "
The plays of William Shakspeare, with the corrections and illustr. of ... - Seite 127
von William Shakespeare - 1809
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The British classical authors: with biographical notices. On the basis of a ...

Ludwig Herrig - 1906 - 844 Seiten
...circumscriptions of terrestrial nature. There is no reason IBB why a mind thus wandering in ecstasy should count the clock, or why an hour should not...calenture of the brains that can make the stage a field. MO The truth is that the spectators are always in their senses, and know, from the first act to the...
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Dr. Samuel Johnsons verhältnis zur französischen literatur

Robert Kleuker - 1907 - 188 Seiten
...erftanbe§überlegung liege, bafj er bie ©tunben nirfjt mebr jäí)le unb ben SBeф)el be§ Orte§ niфt mebr beaфte: The truth is, that the spectators are always in their...act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture...
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Racine Et Shakespeare

Stendhal - 1907 - 254 Seiten
...the circumspection of terrestrial nature. . . . The truth is that the spectators are always in theilf senses, and know, from the first act to the last, that the stage is only a stage, that the players are only players.' PAGE 01. 1. 20. publiés par un Vigneron, ie publiés par Paul-Louis...
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Johnson on Shakespeare: Essays and Notes

Samuel Johnson - 1908 - 254 Seiten
...the circumscriptions of terrestrial nature. There is no reason why a mind tKus wandering in extacy should count the clock, or why an hour should not...act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture...
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A Literary History of the English People from the Renaissance to the Civil ...

Jean Jules Jusserand - 1909 - 668 Seiten
...Who wrote, for example, with his usual good sense, concerning Shakespeare's neglect of the unities: "The truth is that the spectators are always in their...act to the last, that the stage is only a stage and that the players are only players. . . . The different actions that complete a story may be in places...
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Stendhal et l'angleterre, Band 25

Doris Gunnell - 1909 - 346 Seiten
...the circiimscriptions of terrestrial nature. There is no reason why a mind thus wandering in extasy should count the clock, or why an hour should not be a century conde à Rome suppose que quand le Sipario se lève le spectateur se croit réellement à Alexandrie...
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Prefaces and Prologues to Famous Books: With Introductions, Notes and ...

1910 - 482 Seiten
...the circumscriptions of terrestrial nature. There is no reason why a mind thus wandering in extacy should count the clock, or why an hour should not...act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture...
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The Critical Reception of Shakespeare's Antony and Cleopatra from 1607 to 1905

Michael Steppat - 1980 - 646 Seiten
...violation of the unities as presupposing that "any representation is mistaken for reality, " while the truth is that "the spectators are always in their...act to the last, that the stage is only a stage, and that the players are only players." Johnson's argument is strangely unequal in that he accomplishes...
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Illusion and the Drama: Critical Theory of the Enlightenment and Romantic Era

Frederick Burwick - 2010 - 357 Seiten
...22 Dr. Samuel Johnson is often cited as the pragmatic critic who rejected the concept of illusion: "The truth is, that the spectators are always in their senses, and know, from first act to last, that the stage is only a stage, and that the players are only players." 23 Before...
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The Theory and Analysis of Drama

Manfred Pfister - 1988 - 364 Seiten
...his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Cleopatra . . . The truth is that the spectators are always in their...act to the last, that the stage is only a stage, and that the players are only players.12 In other words, the dramatic fiction does not set out to deceive...
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