 | William Shakespeare - 1844 - 348 Seiten
...the circumscriptions of terrestrial nature. There is no reason why a mind thus wandering iu ecstasy should count the clock, or why an hour should not...calenture of the brains that can make the stage a field. i . The truth is, that the spectators are always in their senses, and know, from the first act to the... | |
 | William Shakespeare - 1857 - 354 Seiten
...the circumscriptions of terrestrial nature. There is no reason why a mind thus wandering in ecstasy should count the clock, or why an hour should not...act to the last, that the stage is only a stage, and that the players are only players. They come to hear a certain number of lines recited with just gesture... | |
 | William Shakespeare - 1878 - 750 Seiten
...the circumscriptions of terrestrial nature. There is no reason why a mind thus wandering in ecstasy should count the clock, or why an hour should not...act to the last, that the stage is only a stage, and that the players are only players. They come to hear a certain number of lines recited with just gesture... | |
 | William Shakespeare - 1882 - 996 Seiten
...the circumscriptions of terrestrial nature. There is no reason why a mind thus wandering in ecstacy d to come so smug upon that the players are only players. They come to hear a certain number of lines recited with just gesture... | |
 | Samuel Johnson - 1888 - 356 Seiten
...the stage a field. The T 2 truth Wit and Wisdom of Samuel Johnson. Wit and Wisdom of Samuel Johnson. truth is that the spectators are always in their senses,...act to the last, that the stage is only a stage, and that the players are only players, works, v. 120. • • • FAMILIAR comedy is often more powerful... | |
 | William Shakespeare - 1890 - 620 Seiten
...nature. Particularly noteworthy is Johnson's discussion of the doctrine of the unities of time and place; the spectators "are always in their senses, and know,...act to the last, that the stage is only a stage;" knowing which they can make time and place, as well as any other mode of being, obsequious to the imagination.... | |
 | Samuel Johnson - 1888 - 502 Seiten
...the circumscriptions of terrestrial nature. There is no reason why a mind thus wandering in ecstacy should count the clock, or why an hour should not be a century in that calenture of the brain that can make the stage a field. The T2 truth Wit and Wisdom of Samuel Johnson. Wit and Wisdom... | |
 | James Mercer Garnett - 1891 - 728 Seiten
...the circumscriptions of terrestrial nature. There is no reason why a mind thus wandering in ecstacy should count the clock, or why an hour should not be a century in that calenture of the brain that can make the stage a field. The truth is that the spectators are always in their senses,... | |
 | Samuel Taylor Coleridge - 1893 - 190 Seiten
...dramatic fable in its materiality was ever credible, or, for a single moment was ever credited. . . The truth is, that the spectators are always in their...act to the last, that the stage is only a stage, and that the players are only players. . . The delight of tragedy proceeds from our consciousness of fiction... | |
 | Edward Dowden - 1893 - 160 Seiten
...nature. Particularly noteworthy is Johnson's discussion of the doctrine of the unities of time and place; the spectators "are always in their senses, and know,...act to the last, that the stage is only a stage;" knowing which they can make time and place, as well as any other mode of being, obsequious to the imagination.... | |
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The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. 
