 Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit/ and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her...  The plays of william shakespeare. - Seite 202von William Shakespeare - 1765Vollansicht - Über dieses Buch
 | Tom Lutz - 2001 - 358 Seiten
...Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting With forms to his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? Hamlet finds it "monstrous" that the actor can simulate the full bodily array... | |
 | Brian B. Ritchie - 1999 - 362 Seiten
...the theatrical awareness of his audience. A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? (2. 2. 552) On the links between character fashioning andpronunciatio as taught... | |
 | John Hort, Leela Hort - 1999 - 72 Seiten
...such a pretence of passion that his voice falters, his face turns pale and tears come into his eyes! And all for nothing! For Hecuba! What's Hecuba to him or he to Hecuba that he should weep for her? Imagine what he would do if he had wv cause for passion! He would flood the stage... | |
 | Joan Ackermann - 1999 - 60 Seiten
...thee, get thee. (Sinks back into character.) What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with... | |
 | Stanley Wells - 2003 - 354 Seiten
...performance, and an enormously affecting one at that, a point of which Hamlet is acutely aware — 'For Hecuba! / What's Hecuba to him or he to Hecuba / That he should weep for her?' (2.2.560-2). The answer is that Hecuba is a figure for trauma, a memorial within... | |
 | Gail Holst-Warhaft - 2000 - 252 Seiten
...Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and cue for passion That I have? He would... | |
 | Lawrence Schoen - 2001 - 240 Seiten
...Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba? What's Hecuba to him or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would... | |
 | William Shakespeare - 2001 - 304 Seiten
...Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, The Tragedie of Hamlet 95 your death, you were better haue a... | |
 | Dennis Kezar Assistant Professor of English Vanderbilt University - 2001 - 282 Seiten
...Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting With forms to his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? 35 Hamlet's skeptical analysis here might just as well interrogate Burckhardt's... | |
 | William Shakespeare - 2001 - 212 Seiten
...his eyes, distraction in his aspect, 494 A broken voice, and his whole function suiting With forms to his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? What would he do Had he the motive and the cue for passion That I... | |
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