| Samuel Taylor Coleridge - 1861 - 448 Seiten
...poorer of the two. I have only to add, that the metre of the Christabel is not, properly speaking, irregular, though it may seem so from its being founded...transition, in the nature of the imagery or passion. PABT I. 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock ;... | |
| Eduard Fiedler - 1861 - 438 Seiten
...accents will be found to be only four. Nevertheless this occasional variation in number of syllables i» not introduced wantonly, or for the mere ends of convenience,...mit seinen oben besprochenen dactylischen Versen. '.] vermin Druckfehler, welche durch Entfernung dea Verf. vom Druckorte entstanden sind und um deren... | |
| Eduard Fiedler, Karl Sachs - 1861 - 766 Seiten
...this occasional Variation in number of syllables is not introduced wantonly, or for the mere erids of convenience, but in correspondence with some transition,...dactylischen Versen. Druckfehler, welche durch Entfernung des Verf. vom Dmckorte entstanden sind und um deren Verbesserung man ergebeust bittet. Seite 3 Zelle 3... | |
| Samuel Taylor Coleridge - 1864 - 332 Seiten
...earh line the accents will be found to be only four. Nevertheless this occasional variation in the number of syllables is not introduced* wantonly, or...transition, in the nature of the imagery or passion. PART I. jflTS the middle of night by the castle clock, And the owls have awakened the crowing cock;... | |
| Samuel Taylor Coleridge - 1864 - 328 Seiten
...line the accents will be found to be only four. Nevertheless this occasional variation in the numberof syllables is not introduced wantonly, or for the mere...transition, in the nature of the imagery or passion. PART I. SiTS the middle of night by the castle clock, And the owls have awakened the crowing cock;... | |
| Samuel Taylor Coleridge - 1868 - 714 Seiten
...principle : namely, that of counting in each line the accents, not the syllables. Though the hitter may vary from seven to twelve, yet in each line the...transition, in the nature of the imagery or passion. PART I. 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock ;... | |
| Samuel Taylor Coleridge - 1873 - 472 Seiten
...occasional variation in number of syllables is not introduced wantonly, or for the mere ends of cqpvenience, but in correspondence with some transition in the nature of the imagery or passion. PART THE FIRST. 'Tis the middle of night by the castle clock, And the owls have awakened the crowing... | |
| Samuel Taylor Coleridge - 1874 - 470 Seiten
...irregular, though it may seem so from its being founded on a new principle : namely, that ofcountine in each line the accents, not the syllables. Though...transition in the nature of the imagery or passion. PART THE FIRST. 'Tis the middle of night by the castle clock, And the owls have awakened the crowing... | |
| Henry Norman Hudson - 1875 - 728 Seiten
...parts yet to come The metre of the Christabcl is not, properly speaking, irregular, though it m:iy seem so from its being founded on a new principle;...transition in the nature of the imagery or passion. 9 The author accompanied the text of this poem with a running comment in prose, and printed in the... | |
| Samuel Taylor Coleridge - 1877 - 408 Seiten
...the poorer of the two. I have only to add that the metre of the Christabel is not, properly speaking, irregular, though it may seem so from its being founded...transition in the nature of the imagery or passion. [1816.] PART I. "pIS the middle of night by the castle clock, And the owls have awaken'd the crowing... | |
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