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tion over the dead, and henceforth be more faithful and affectionate in the discharge of thy duties to the living.



How still and peaceful is the grave,

Where,-life's vain tumults past, -
The appointed house, by Heaven's decree,

Receives us all at last!

The wicked there from troubling cease,

Their passions rage no more;
And there the weary pilgrim rests

From all the toils he bore.

All, leveled by the hand of death,

Lie sleeping in the tomb,
Till God in judgment call them forth

To meet their final doom.



The requirements are,

First-Natural voice.
Second-Effusive utterance.

Third-High pitch. The pleasant effect produced by this combination was called by the Ancients, the “ Silvery tone.” The quietude and delicacy of this class of selections demand especial care in securing a pure, musical and effusive quality of voice. The more pure, gentle and continuous the tones can be made, the more effective and pleasant will be the results of the read ing

To secure high pitch let the voice ascend the musical scale four notes, beginning with the pitch of ordinary conversation.



The rising moon has hid the stars;
Her level rays, like golden bars,

Lie on the landscape green,
With shadows brown between.

And silver white the river gleams,
As if Diana, in her dreams,

Had dropt her silver bow
Upon the meadows low.

On such a tranquil night as this,
She woke Endymion with a kiss,

When sleeping in the grove,
He dreamed not of her love.

Like Dian's kiss unasked, unsought,
Love gives itself, but is not bought;

Nor voice, nor sound betrays
Its deep, impassioned gaze.

It comes, the beautiful, the free,
The crown of all humanity,

In silence and alone
To seek the elected one.

It lifts the boughs, whose shadows deep,
Are Life's oblivion, the soul's sleep,

And kisses the closed eyes
Of him, who slumbering lies.

O weary hearts! O slumbering eyes!
O drooping souls, whose destinies

Are fraught with fear and pain,
Ye shall be loved again!

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No one is so accursed by fate,
No one so utterly desolate,

But some heart, though unknown,
Responds unto his own.

Responds,—as if with unseen wings,
An angel touched its quivering strings;

And whispers, in its song,
“Where hast thou stayed so long!”


THE VALE OF CASHMERE. Who has not heard of the Vale of Cashmere,

With its roses the brightest that earth ever gave, Its temples and grottos, and fountains as clear

As the love-lighted eyes that hang over their wave?

0, to see it at sunset,—when warm o'er the lake

Its splendor at parting a summer eve throws,
Like a bride, full of blushes, when lingering to take

A last look of her mirror at night ere she goes! -
When the shrines through the foliage are gleaming half

shown, And each hallows the hour by some rites of its own. Here the music of prayer from a minaret swells,

Here the Magian his urn full of perfume is swinging, And here, at the altar, a zone of sweet bells

Round the waist of some fair Indian dancer is ringing. Or to see it by moonlight,—when mellowly shines The light o'er its palaces, gardens, and shrines; When the waterfalls gleam like a quick fall of stars, And the nightingale's hymn from the Isle of Chenars Is broken by laughs and light echoes of feet From the cool shining walks where the young people meet. Or at morn, when the magic of daylight awakes A new wonder each minute as slowly it breaks, Hills, cupolas, fountains, called forth every one Out of darkness, as they were just born of the sun. When the spirit of fragrance is up with the day, From his harem of night-flowers stealing away; And the wind, full of wantonness, woos like a lover The young aspen-trees till they tremble all over. When the east is as warm as the light of first hopes,

And day, with its banner of radiance unfurled, Shines in through the mountainous portal that opes,

Sublime, from that valley of bliss to the world!



With deep affection
And recollection
I often think of

Those Shandon bells,
Whose sounds so wild would,
In the days of childhood,
Fling round my cradle

Their magic spells.

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