Byronic Hero Types and ProtoU of Minnesota Press, 01.01.1999 - 204 Seiten One hundred years of remarkable Minnesota stories are brought together for the first time in Minnesota's Twentieth Century. A collection of writings and interviews that originated with the popular feature "A Century of Stories" in the St. Paul Pioneer Press, this book reveals the progress of a courageous, industrious people and their changing state. Lavishly illustrating these recollections are indelible images--contemporary photographs of the storytellers, as well as historical views of street scenes, prohibition arrests, and landscapes--that reflect the transformations of the past one hundred. |
Im Buch
Ergebnisse 1-5 von 42
Seite 4
... Shelley's novels , in the poetry of Heine or Pushkin , in the novels of Lermontov — but no definitive study of the Byronic Hero's antecedents in the literature before Byron , or of the hero in Byron's poetry itself . It would be ...
... Shelley's novels , in the poetry of Heine or Pushkin , in the novels of Lermontov — but no definitive study of the Byronic Hero's antecedents in the literature before Byron , or of the hero in Byron's poetry itself . It would be ...
Seite 6
... Shelley , Bertrand Evans points out that the villain on stage had a development markedly different from that of the villain of the novel . The dramatic villain's remorseful repentance was in- creasingly emphasized at the expense of his ...
... Shelley , Bertrand Evans points out that the villain on stage had a development markedly different from that of the villain of the novel . The dramatic villain's remorseful repentance was in- creasingly emphasized at the expense of his ...
Seite 14
... Shelley was living on his " inheritance " and paying for the publication of his poems , while Coleridge was mak- ing a precarious living as a public lecturer and public prophet , and while Wordsworth was living on an annuity as a stamp ...
... Shelley was living on his " inheritance " and paying for the publication of his poems , while Coleridge was mak- ing a precarious living as a public lecturer and public prophet , and while Wordsworth was living on an annuity as a stamp ...
Seite 15
... Shelley versus Byron at Oxford , the Ox- ford dons professed never to have heard of Shelley , and thought that their opponents were defending Shenstone . And when as late as 1846 Thackeray made a bitter attack on Byron's reputation ...
... Shelley versus Byron at Oxford , the Ox- ford dons professed never to have heard of Shelley , and thought that their opponents were defending Shenstone . And when as late as 1846 Thackeray made a bitter attack on Byron's reputation ...
Seite 18
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Inhalt
3 | |
14 | |
PART ONE EIGHTEENTHCENTURY HERO TYPES | 25 |
PART TWO ROMANTIC HERO TYPES | 63 |
PART THREE BYRONIC HEROES | 125 |
NOTES | 203 |
BIBLIOGRAPHICAL APPENDIX | 212 |
INDEX | 218 |
Häufige Begriffe und Wortgruppen
Aeschylus Ahasuerus appearance become Byronic Hero Cain Cain's canto century certainly chapter character characteristics Child of Nature Childe Harold Coleridge Conrad Corsair course critics death Demogorgon Die Räuber Don Juan eighteenth eighteenth-century England English Romantic especially eternal Faust Feeling figure Finally German Giaour Gloomy Egoist Goethe Goethe's Gothic drama Gothic novels Gothic Villain Götz Hero of Sensibility hero's heroic tradition important influence Karl Moor Lara legend literary literature London Lucifer Manfred mantic Mario Praz Marmion Milton's mind moral mystery Noble Outlaw Noble Savage novel Paradise Lost passage passion perhaps philosophical poem poetic poetry popular Praz Prometheus Radcliffe's Räuber reason rebel rebellion remorse Romantic heroes Romantic Movement Romantic poets Romanticism Satan Schedoni Schiller Scott Selim sense sentimental Shelley Shelley's sins skeptical society soul story Sturm und Drang sublime theme tion Titan tragedy University Press verse vision Wandering Jew Weltschmerz Werther Wordsworth Zuleika
Beliebte Passagen
Seite 74 - The mind is its own place, and in itself Can make a heav'n of hell, a hell of heav'n.
Seite 142 - Could he have kept his spirit to that flight He had been happy ; but this clay will sink Its spark immortal, envying it the light To which it mounts, as if to break the link That keeps us from yon heaven which woos us to its brink.
Seite 120 - Thou art a symbol and a sign To Mortals of their fate and force ; Like thee, Man is in part divine, A troubled stream from a pure source ; And Man in portions can foresee His own funereal destiny...
Seite 170 - Philosophy and science, and the springs Of wonder, and the wisdom of the world, I have essay'd, and in my mind there is A power to make these subject to itself — But they avail not...
Seite 89 - Action is transitory — a step, a blow, The motion of a muscle — this way or that — 'Tis done, and in the after-vacancy We wonder at ourselves like men betrayed : Suffering is permanent, obscure and dark, And shares the nature of infinity.
Seite 142 - tis a base (') Abandonment of reason to resign Our right of thought — our last and only place Of refuge...
Seite 174 - ... symbol and a sign To Mortals of their fate and force ; Like thee, Man is in part divine, A troubled stream from a pure source ; And Man in portions can foresee His own funereal destiny ; His wretchedness, and his resistance, And his sad unallied existence...