Byronic Hero Types and ProtoU of Minnesota Press, 01.01.1999 - 204 Seiten One hundred years of remarkable Minnesota stories are brought together for the first time in Minnesota's Twentieth Century. A collection of writings and interviews that originated with the popular feature "A Century of Stories" in the St. Paul Pioneer Press, this book reveals the progress of a courageous, industrious people and their changing state. Lavishly illustrating these recollections are indelible images--contemporary photographs of the storytellers, as well as historical views of street scenes, prohibition arrests, and landscapes--that reflect the transformations of the past one hundred. |
Im Buch
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Seite 6
... Praz's chapter on Byron in The Romantic Agony . I think its total effect has been very misleading , however , by adding to the sins of the Byronic Hero vices of which he could never justly be considered guilty , and by extending and ...
... Praz's chapter on Byron in The Romantic Agony . I think its total effect has been very misleading , however , by adding to the sins of the Byronic Hero vices of which he could never justly be considered guilty , and by extending and ...
Seite 7
... Praz the Romantics were the first group in the history of art to take delight in the horrid , to see beauty in the grotesque , even the bestial . In tracing this new sensibility Praz follows two figures through European literature ...
... Praz the Romantics were the first group in the history of art to take delight in the horrid , to see beauty in the grotesque , even the bestial . In tracing this new sensibility Praz follows two figures through European literature ...
Seite 8
... Praz , however , goes farther , and largely on the basis of an important parallel between the descriptions of Lara and of Schedoni , he writes that " Byron might be said to have derived all these characteristics [ of Conrad , the Giaour ...
... Praz , however , goes farther , and largely on the basis of an important parallel between the descriptions of Lara and of Schedoni , he writes that " Byron might be said to have derived all these characteristics [ of Conrad , the Giaour ...
Seite 9
... Praz accepts her word without question , but in any case this is a different matter entirely , since Byron is not his heroes , in spite of a hundred years of confusion of the two . This biographical evidence could scarcely even have con ...
... Praz accepts her word without question , but in any case this is a different matter entirely , since Byron is not his heroes , in spite of a hundred years of confusion of the two . This biographical evidence could scarcely even have con ...
Seite 10
... Praz's concentration on the literature of England , France , and Italy . Hentschel's analysis is obviously quite Prazian : " the Byronic Hero is a tripartite individual : he is the type of the satanic , sadistic dandy . Insofar as he is ...
... Praz's concentration on the literature of England , France , and Italy . Hentschel's analysis is obviously quite Prazian : " the Byronic Hero is a tripartite individual : he is the type of the satanic , sadistic dandy . Insofar as he is ...
Inhalt
3 | |
14 | |
PART ONE EIGHTEENTHCENTURY HERO TYPES | 25 |
PART TWO ROMANTIC HERO TYPES | 63 |
PART THREE BYRONIC HEROES | 125 |
NOTES | 203 |
BIBLIOGRAPHICAL APPENDIX | 212 |
INDEX | 218 |
Häufige Begriffe und Wortgruppen
Aeschylus Ahasuerus appearance become Byronic Hero Cain Cain's canto century certainly chapter character characteristics Child of Nature Childe Harold Coleridge Conrad Corsair course critics death Demogorgon Die Räuber Don Juan eighteenth eighteenth-century England English Romantic especially eternal Faust Feeling figure Finally German Giaour Gloomy Egoist Goethe Goethe's Gothic drama Gothic novels Gothic Villain Götz Hero of Sensibility hero's heroic tradition important influence Karl Moor Lara legend literary literature London Lucifer Manfred mantic Mario Praz Marmion Milton's mind moral mystery Noble Outlaw Noble Savage novel Paradise Lost passage passion perhaps philosophical poem poetic poetry popular Praz Prometheus Radcliffe's Räuber reason rebel rebellion remorse Romantic heroes Romantic Movement Romantic poets Romanticism Satan Schedoni Schiller Scott Selim sense sentimental Shelley Shelley's sins skeptical society soul story Sturm und Drang sublime theme tion Titan tragedy University Press verse vision Wandering Jew Weltschmerz Werther Wordsworth Zuleika
Beliebte Passagen
Seite 74 - The mind is its own place, and in itself Can make a heav'n of hell, a hell of heav'n.
Seite 142 - Could he have kept his spirit to that flight He had been happy ; but this clay will sink Its spark immortal, envying it the light To which it mounts, as if to break the link That keeps us from yon heaven which woos us to its brink.
Seite 120 - Thou art a symbol and a sign To Mortals of their fate and force ; Like thee, Man is in part divine, A troubled stream from a pure source ; And Man in portions can foresee His own funereal destiny...
Seite 170 - Philosophy and science, and the springs Of wonder, and the wisdom of the world, I have essay'd, and in my mind there is A power to make these subject to itself — But they avail not...
Seite 89 - Action is transitory — a step, a blow, The motion of a muscle — this way or that — 'Tis done, and in the after-vacancy We wonder at ourselves like men betrayed : Suffering is permanent, obscure and dark, And shares the nature of infinity.
Seite 142 - tis a base (') Abandonment of reason to resign Our right of thought — our last and only place Of refuge...
Seite 174 - ... symbol and a sign To Mortals of their fate and force ; Like thee, Man is in part divine, A troubled stream from a pure source ; And Man in portions can foresee His own funereal destiny ; His wretchedness, and his resistance, And his sad unallied existence...