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The Re-Imagined Text: Shakespeare, Adaptation, and Eighteenth-Century ...
Jean I. Marsden
Eingeschränkte Leseprobe - 2015
action acts adaptations addition altered appeared attack attempt audience beauties becomes changes character Cibber concern critics daughter defined Dennis discussion drama Dryden earlier early edition effect eighteenth century emotional emphasis English Essay examining example father faults feeling figure finds follow French Garrick's genius George Henry idea important indicates John Johnson justice King Lear Lady language late later learning less lines literary literature mind moral move nature never notes observes original particular passages passion performed playwrights plot poet poetic poetry political popular praise Preface present Press printed produced provides published reader reason references represent response Restoration result Review revisions Richard role Romeo and Juliet rules Rymer scene seen sense sentiments Shake Shakespeare Shakespeare's plays speare speare's stage sublime taste Tate Tate's theater theory Timon tion tragedy virtue women writing written
Seite 23 - Tis mightiest in the mightiest: it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.
Seite 23 - The quality of mercy is not strain'd; It droppeth as the gentle rain from heaven Upon the place beneath. It is twice blest: It blesseth him that gives and him that takes. 'Tis mightiest in the mightiest; it becomes The throned monarch better than his crown...