Satire and Romanticism
St. Martin's Press, 2000 - 262 Seiten
Romantic poetry is conventionally seen as inward-turning, sentimental, sublime, and transcendent, whereas satire, with its public, profane, and topical rhetoric, is commonly cast in the role of generic other--as "the" un-Romantic mode. This book argues instead that the two modes mutually defined each other and were subtly interwoven during the Romantic period. By rearranging reputations, changing aesthetic assumptions, and re-distributing cultural capital, the interaction of satiric and Romantic modes helped make possible the Victorian and modern construction of "English Romanticism."
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