Decoration of the New Houses of Parlia- Gilding, Real and Spurious, 179. Glass and Iron, New Method of Making, 132. British, 35. ; Origin of, 123. - Painting, 115. Stoppers, Drawing from Decanters, 144. , to Break in any Required Direction, 119. Glossary, Letter A, 57, 65, 73, 81, 89; B, 89, 97, 105, 113, 121; C, 121, 129, 137, 145, 153, 161, 169, 177, 185, 193. Glue, 151. - Method of Improving, 136. Gold and Silver Inks, 144. Mines of the Ural Mountains, 21. - Size, 112. Gotlic Architecture, 179. Gothism, 85. Gravitation, 40. . Great Britain, 139. Grecian Architecture, 37. Green Paint, 136, - Extension of, 135. Gun-Cotton, 26, 72. - First Arrival of, in India, 7. Gunpowder, Invention of, 142. -- Engine, 192. Gun Trade, Origin of, in Birmingham, 10. Gutta Percha, 24. Gymnasium at Primrose-hill, 191. Hann's Treatise on the Steam-Engine, 8. into Shape, 111. Heights which cannot be Measured, to obtain, | 123. Heraldic Ornament, 141. Holtzapffel, 8. Horn, to Dye, 84. Horse-Power, 136. Household Book of Practical Receipts, 95. House of Lords, 17, 31. Imitation Carved Ivory, 120. Impediments to Art in England, 49. Impure Water, 114. India, Steam Communication with, 139. Indian Fabrics, 46. Ink, Material for Diluting, 192. Inkstand, Design for an, 53. Interior Decoration, 35. Iron, 71. - Fronted Edifices, 179. - in the Roman States, 150. -Lock-Gates, 72. produced by Sweden, 128. Trade in France, 183. Itinarium, the, 62. Ivy on Churches, 68. 22, 27, 38; Problems, 45, 54, 58, 69, 77. 85. / Knives, 119. Lamb's New Life-Boat, 166. Lenses, New Mode of Cleaning, 106. Lighthouses, Improvements in, 135. Lighting by Electricity, 77. -, Progress of, 55. Linen Cloth, to Thicken, 104. Pendulum Clock, 130. Perpetual Motion, 58. Pews, 37. Phosphorescence of the River Wye, 183. -- Pictures, 48. Photography, 15, 178. Phosphorus, &c., 32. Wonders of the, 180. Platinum, Discovery of, in France, 195. Portable Glue, 8. Portwine on the Steam-Engine, 171, 182. Pottery, 135. Art of, 79, 87. Print, Earliest Known, 15. - Roller, New, 67. Progress in Turkey, 88. Projectile Compounds, Force of, 175. Public Works in Ireland, 159. Raft, an Enormous, 139. Railroads in New England, 146. Railway Accident at Chester, 61. Railways in Ireland, 158. Red Colour for Glass, 24. Reform Clubhouse, 24. Registering Designs, Advantages of, 2. Restorations in Takely Church, 67. - Institute of British Architects, 34. - Italian Opera, 9. Rules of Art, 132. Russia and Foreign Artisans, 199. Rust, 184. St. George's Catholic Church, 64. St. Simon's Church, 128. Sashes, to Remove Glass from Old, 10. Scagliola, 136. Scenery and Decoration of Theatres, 33, 46. Scene-Painting, 118. Schools of Design, 93, 101, 120, 198. - in France, 32. - of the Society of Britieh Artists, &c, 172. Sculpture, 170, 197. Seal-Engravers' Cement, 69. Sealing-Wax, 118. Sensitive Pictures, 168. Shading of Architectural Drawings, 128. Shop-Fronts, &c., 50. Shop-Front, Italian Style, Design for, 25. Short Time on Saturdays, 72, 85, 143. Shrewsbury and Chester Railway, Accident on, 37. Society of Arts, 156, 166. Solution to Preserve Wood, 8. - for the Protection of Stonework, 94. Stained Glass in Norwich Cathedral, 7. - Ancient, 90. Stains for Wood, 125. Statistics of Railway Employment, 121. Steam-Boiler Explosions, 136, 152. Steel, Method of Blueing and Gilding, 159. Pens, Electro Gilding, 63. Steering-Wheel, a New, 191. | Strength of Materials, 127. Stucco Varnish, 15. Watch-Springs, 122. — Trade in Switzerland, Origin of, 158. Water in Place of Oil, 130. of Stone, Marble. &c., 72. Waxed Paper, 152. Westminster Hall, 40. - Exhibition in, 88. - Gratuitous Admission to, 72. White Lead, 182. Winckleman on the Ornamental in Archi- 1 tecture, 30. Window Cornice, Design for a, 133. — of St. Peter's Church, Sudbury, 45. 5. Wood, Process for Preserving; Sir H. Bur- nett's, 75. - Mr. Tref ! fey's, 77. Wootz, 24. Worksop Spreadoak, 111. Yellow Colour, 80. London : Published by WILLIAN G1BB3, at No. 17, Holywell-street, Strand (where all communications to and to be had of all Bookselleri.-Saturday, November 13, 1847 Printed by W. Coole, Lumley Court, Strand. . I The Acanthus Leaf of the Corinthian column. The origin of its adoption by the Capital. architects of ancient Greece, is, as usual with most subjects of artistical tradition, accounted for by an incident handed down to us by the Of the various natural objects adopted by the historians, and which, if it be not authentically|| ancients as the leading feature of their archi-true, yet deserves, at all events, as the Italians tectural decorations in detail, there is no orna- say, that it should be so. The versions of thell ment more fitted, from the graceful convolu- story in question vary slightly in detail, but| tions of its outline, the luxuriance of its foliage, the main incident is connected with the custom and the breadth of its masses of light and sha-l prevalent from the earliest ages of antiquity, dow, to the enrichment of capitals, than the land still extant in our own day, of placing on celebrated acanthus leaf of the Corinthian the tombs of the dead, flowers, fruits, and other |