Shakespeare's HamletH. Holt, 1914 - 252 Seiten |
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Seite xi
... action unknown to the modern stage . What Shakespeare found , then , was a community that eagerly demanded plays , a keen and active competition to supply that demand , and stage conditions which per- mitted the swiftest and most ...
... action unknown to the modern stage . What Shakespeare found , then , was a community that eagerly demanded plays , a keen and active competition to supply that demand , and stage conditions which per- mitted the swiftest and most ...
Seite xviii
... action , and that action must have a definite movement . And such a move- ment , in a tragedy , involves a conflict between two oppos- ing forces . In Hamlet this conflict takes the form ( we shall see another side of it in a moment ) ...
... action , and that action must have a definite movement . And such a move- ment , in a tragedy , involves a conflict between two oppos- ing forces . In Hamlet this conflict takes the form ( we shall see another side of it in a moment ) ...
Seite xix
... Action ( or Climax ) Falling Action Equilibrium Exciting Force Catastrophe The details of the movement in Hamlet are elaborated in the introductory notes to the different scenes , and the interest of the story is not diminished but ...
... Action ( or Climax ) Falling Action Equilibrium Exciting Force Catastrophe The details of the movement in Hamlet are elaborated in the introductory notes to the different scenes , and the interest of the story is not diminished but ...
Seite xx
... action laid upon a soul unfit ' Wilhelm Meister's Lehrjahre , Book IV , Chapter XIII ( Car- lyle's translation ) . This view is admirably criticised in one for the performance of it . In this view the XX Introduction.
... action laid upon a soul unfit ' Wilhelm Meister's Lehrjahre , Book IV , Chapter XIII ( Car- lyle's translation ) . This view is admirably criticised in one for the performance of it . In this view the XX Introduction.
Seite xxi
... action . Now , one of Shakespeare's modes of creating characters is to conceive any one intellectual or moral faculty in morbid excess , and then to place himself , Shakespeare , thus mutilated or diseased , under given circumstances ...
... action . Now , one of Shakespeare's modes of creating characters is to conceive any one intellectual or moral faculty in morbid excess , and then to place himself , Shakespeare , thus mutilated or diseased , under given circumstances ...
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Häufige Begriffe und Wortgruppen
action actor Antony and Cleopatra blood breath cents character Claudius Dane dead dear death Denmark doth drink earth Edited Elizabethan England Enter HAMLET Exeunt Exit eyes father fear Folio follow Fortinbras gentlemen Gertrude Ghost give Guil Hamlet hast hath hear heart heaven Horatio in't is't Julius Cæsar King King's lady Laer Laertes Laertes's look Lord Hamlet Macbeth madness majesty Marcellus means Merchant of Venice mind mother murder nature night noble Observe Ophelia Osric passage passion phrase play players Polonius Polonius's pray probably Queen question reference revenge Romeo and Juliet Rosencrantz and Guildenstern scene Second Quarto sense Shake Shakespeare soul speak speech spirit sweet sword tell theaters thee There's thing thou thought tragedy Twelfth Night Winter's Tale word ΙΟ