The Architecture of the Visible: Technology and Urban Visual CultureA&C Black, 01.07.2002 - 242 Seiten Visual technology saturates everyday life. Theories of the visual--now key to debates across cultural studies, social theory, art history, literary studies and philosophy--have interpreted this new condition as the beginning of a dystopian future, of cultural decline, social disempowerment and political passivity. Intellectuals--from Baudelaire to Debord, Benjamin, Virilio, Jameson, Baudrillard and Derrida--have explored how technology not only reinvents the visual, but also changes the nature of culture itself. The heartland of all such cultural analysis has been the city, from Baudelaire's flaneur to Benjamin's arcades.The Architecture of the Visible presents a wide-ranging critical reassessment of contemporary approaches to visual culture through an analysis of pivotal technological innovation from the telescope, through photography to film. Drawing on the examples of Paris and New York--two key world cities for over two centuries--Graham MacPhee analyzes how visual technology is revolutionizing the landscape of modern thought, politics and culture. |
Andere Ausgaben - Alle anzeigen
The Architecture of the Visible: Technology and Urban Visual Culture Graham MacPhee Eingeschränkte Leseprobe - 2002 |
The Architecture of the Visible: Technology and Urban Visual Culture Graham MacPhee Eingeschränkte Leseprobe - 2002 |
Häufige Begriffe und Wortgruppen
activity aesthetic perception aesthetic technique allegory animation apparatus theory appearances apperception Arcades Project argues Baudelaire Baudelaire's beauty Benjamin broader Cartesian cartoons Caygill central claims cognition coherence colour conceived conception of vision conception of visual condition configurations of experience consciousness contemporary context contingency critical critique Derrida Descartes distortion emerges essay Felix film fixed frame Frank O'Hara gaze Guy Debord Hegel historical human Husserl ibid identified image-world implies intuition involved Jameson Kant Kant's Lukács meaning meaningfulness memory modern thought neo-Kantian objects offers optical organization paradigm perceiving perspective phenomenal world phenomenology philosophy photographic image photography poem postmodernism primal impression produced protention pure interiority rational reformulation reification relationship reproducibility role seen self-presence sense sensory significance single-point perspective space spatial Speech and Phenomena telescope temporal three-dimensional space tion tradition transcendental trompe l'oeil underlying understanding understood unity Virilio visible world visual culture visual experience Walter Benjamin
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