The art that baffles time's tyrannic claim
To quench it) here shines on me still the same.
Faithful remembrancer of one so dear,
O welcome guest, though unexpected here!
Who bidd'st me honour, with an artless song
Affectionate, a mother lost so long.
I will obey, not willingly alone,
But gladly, as the precept were her own:
And while that face renews my filial grief,
Fancy shall weave a charm for my relief;
Shall steep me in Elysian reverie,
A momentary dream, that thou art she.
My mother! when I learned that thou wast dead,
Say, wast thou conscious of the tears I shed?
Hovered thy spirit o'er thy sorrowing son,
Wretch even then, life's journey just begun?
Perhaps thou gavest me, though unseen, a kiss;
Perhaps a tear, if souls can weep in bliss-
Ah, that maternal smile! it answers-Yes.
I heard the bell tolled on thy burial day,
I saw the hearse that bore thee slow away,
And, turning from my nursery window, drew
A long, long sigh, and wept a last adieu!
But was it such? It was. Where thou art gone,
Adieus and farewells are a sound unknown.
May I but meet thee on that peaceful shore,
The parting sound shall pass my lips no more!
Thy maidens grieved themselves at my concern,
Oft gave me promise of a quick return:
What ardently I wished I long believed,
And, disappointed still, was still deceived;
By disappointment every day beguiled,
Dupe of to-morrow even from a child.
Thus many a sad to-morrow came and went,
Till, all my stock of infant sorrow spent,
I learned at last submission to my lot,
But, though I less deplored thee, ne'er forgot.
Where once we dwelt our name is heard no more,
Children not thine have trod my nursery floor;
And where the gardener Robin, day by day,
Drew me to school along the public way,
Delighted with my bauble coach, and wrapt
In scarlet mantle warm, and velvet capt,
'Tis now become a history little known,
That once we called the pastoral house our own.
Short-lived possession! but the record fair,
That memory keeps of all thy kindness there,
Still outlives many a storm, that has effaced
A thousand other themes less deeply traced.
Thy nightly visits to my chamber made,
That thou might'st know me safe and warmly laid; Thy morning bounties ere I left my home,
The biscuit or confectionery plum;
The fragrant waters on my cheeks bestowed
By thy own hand, till fresh they shone and glowed:
All this, and more endearing still than all,
Thy constant flow of love, that knew no fall,
Ne'er roughened by those cataracts and breaks,
That humour interposed too often makes;
All this, still legible in memory's page,
And still to be so to my latest age,
Adds joy to duty, makes me glad to pay
Such honours to thee as my numbers may;
Perhaps a frail memorial, but sincere,
Not scorned in heaven, though little noticed here.
Could Time, his flight reversed, restore the hours,
When, playing with thy vesture's tissued flowers,
The violet, the pink, the jessamine,
I pricked them into paper with a pin,
(And thou wast happier than myself the while,
Would softly speak, and stroke my head and smile),
Could those few pleasant hours again appear,
Might one wish bring them, would I wish them here?
I would not trust my heart-the dear delight
Seems so to be desired, perhaps I might.
But no-what here we call our life is such,
So little to be loved, and thou so much,
That I should ill requite thee to constrain
Thy unbound spirit into bonds again.
Thou, as a gallant bark from Albion's coast
(The storms all weathered and the ocean crossed),
Shoots into port at some well-havened isle,
Where spices breathe and brighter seasons smile,
There sits quiescent on the floods, that show
Her beauteous form reflected clear below,
While airs impregnated with incense play
Around her, fanning light her streamers gay;
So thou, with sails how swift! hast reached the shore
'Where tempests never beat nor billows roar;'
And thy loved consort on the dangerous tide
Of life, long since, has anchored at thy side.
But me, scarce hoping to attain that rest,
Always from port withheld, always distressed-
Me howling winds drive devious, tempest-tossed,
Sails ript, seams opening wide and compass lost;
And day by day some current's thwarting force
Sets me more distant from a prosperous course.
But oh the thought, that thou art safe, and he!
That thought is joy, arrive what may to me.
My boast is not that I deduce my birth
From loins enthroned, and rulers of the earth;
But higher far my proud pretensions rise-
The son of parents passed into the skies.
And now, farewell-Time unrevoked has run
His wonted course, yet what I wished is done.
By contemplation's help, not sought in vain,
I seem to have lived my childhood o'er again:
To have renewed the joys that once were mine,
Without the sin of violating thine;
And, while the wings of fancy still are free,
And I can view this mimic show of thee,
Time has but half succeeded in his theft-
Thyself removed, thy power to soothe me left.
"The Task,' in versification, unites, in a remarkable degree, strength and freedom with elegance and harmony. No other poet has introduced so much idiomatic expression into a grave poem of blank verse; but the higher passages are all carefully finished, and rise or fall, according to the nature of the subject, with iniinitable grace and melody. In this respect Cowper has greatly the advantage of Thomson, whose stately march is never relaxed, however trivial the theme. The variety of the Task, in style and manner, no less than in subject, is one of its greatest charms. The mockheroic opening is a fine specimen of his humor, and from this he strides into rural description and moral reflection so naturally and easily, that the reader is carried along apparently without an effort. The scenery of the Ouse-its level plains and spacious meads-is described with the vividness of painting, and the poet then, in the following passage, elevates the character of his picture by a rapid sketch of still nobler features:
Nor rural sights alone, but rural sounds,
Exhilarate the spirit, and restore
The tone of languid nature. Mighty winds
That sweep the skirt of some far-spreading wood
Of ancient growth, make music not unlike
The dash of ocean on his winding shore,
And lull the spirit while they fill the mind,
Unnumbered branches waving in the blast,
And all their leaves fast fluttering all at once.
Nor less composure waits upon the roar
Of distant floods, or on the softer voice
Of neighbouring fountains, or of rills that slip
Through the cleft rock, and chiming as they fall
Upon loose pebbles, lose themselves at length
In matted grass, that with a livelier green
Betrays the secret of their silent course.
Nature inanimate displays sweet sounds,
But animated nature sweeter still,
To soothe and satisfy the human ear.
Ten thousand warblers cheer the day, and one
The livelong night; nor these alone whose notes
Nice-fingered art must emulate in vain,
But cawing rooks, and kites that swim sublime
In still-repeated circles, screaming loud,
The jay, the pie, and even the boding owl
That hails the rising moon, have charms for me.
Sounds inharmonious in themselves and harsh,
Yet heard in scenes where peace forever reigns,
And only there, please highly for their sake.
With the same strength and felicity of painting, he describes the diversified character of creation, and the happiness of a winter evening in the country:
DIVERSIFIED CHARACTER OF CREATION.
The earth was made so various, that the mind
Of desultory man, studious of change
And pleased with novelty, might be indulged.
Prospects, however lovely, may be seen
Till half their beauties fade; the weary sight,
Too well acquainted with their smiles, slides off
Fastidious, seeking less familiar scenes.
Then snug inclosures in the sheltered vale,'
Where frequent hedges intercept the eye,
Delight us, happy to renounce a while,
Not senseless of its charms, what still we love,
That such short absence may endear it more.
Then forests, or the savage rock may please,
That hides the sea-mew in his hollow clefts
Above the reach of man; his hoary head
Conspicuous many a league, the mariner
Bound homeward, and in hope already there
Greets with three cheers exulting. At his waist
A girdle of half-withered shrubs he shows,
And at his feet the baffled billows die.
The common overgrown with fern, and rough
With prickly goss, that, shapeless, and deform,
And dangerous to the touch, has yet its bloom,
And decks itself with ornaments of gold,
Yields no unpleasing ramble; there the turf
Smells fresh, and rich in odoriferous herbs
And fungous fruits of earth, regales the sense
With luxury of unexpected sweets.
'Tis pleasant through the loop-holes of retreat To peep at such a world; to see the stir
Of the great Babel, and not feel the crowd;
To hear the roar she sends through all her gates
At a safe distance, where the dying sound
Falls a soft murmur on the uninjured ear.
Thus sitting, and surveying thus at ease
The globe and its concerns, I seem advanced
To some secure and more than mortal height,
That liberates and exempts me from them all. * *
O Winter! ruler of the inverted year,
I love thee, all unlovely as thou seem'st,
And dreaded as thou art! Thou hold'st the sun
A prisoner in the yet undawning east,
Shortening his journey between morn and noon,
And hurrying him, impatient of his stay,
Down to the rosy west; but kindly still
Compensating his loss with added hours
Of social converse and instructive ease,
And gathering, at short notice, in one group
The family dispersed, and fixing thought,
Not less dispersed by daylight and its cares.
I crown thee king of intimate delights,
Fireside enjoyments, home-born happiness,
And all the comforts that the lowly roof
Of undisturbed retirement, and the hours
Of long uninterrupted evening, know.
No rattling wheels stop short before these gates;
No powdered pert proficient in the art
Of sounding an alarm assault these doors
Till the street rings; no stationary steeds
Cough their own knell, while, heedless of the sound,
The silent circle fan themselves, and quake:
But here the needle plies its busy task,
The pattern grows, the well-depicted flower,
Wrought patiently into the snowy lawn,
Unfolds its bosom: buds, and leaves, and sprigs,
And curling tendrils, gracefully disposed,
Follow the nimble finger of the fair;
A wreath, that cannot fade, of flowers, that blow
With most success when all besides decay.
The poet's or historian's page by one
Made vocal for the amusement of the rest;
The sprightly lyre, whose treasure of sweet sounds
The touch from many a trembling chord shakes out;
And the clear voice symphonious, yet distinct,
And in the charming strife triumphant still,
Beguile the night, and set a keener edge
On female industry: the threaded steel
Flies swiftly, and unfelt the task proceeds.
The volume closed, the customary rites
Of the last meal commence. A Roman meal;
Such as the mistress of the world once found
Delicious, when her patriots of high note,
Perhaps by moonlight, at their humble doors,
And under an old oak's domestic shade,
Enjoyed, spare feast! a radish and an egg.
Discourse ensues, not trivial, yet not dull,
Nor such as with a frown forbids the play
Of fancy, or proscribes the sound of mirth:
Nor do we madly, like an impious world,
Who deem religion frenzy, and the God
That made them an intruder on their joys,
Start at his awful name, or deem his praise
A jarring note. Themes of a graver tone,
Exciting oft our gratitude and love,
While we retrace with memory's pointing wand,
That calls the past to our exact review,
The dangers we have 'scaped, the broken snare,
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