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[The volumes are denoted by numeral letters, the pages by
A B of different kinds ii. 403
Bstract idea) defined iü. 402. Abstract ideas of different kinds iii.
403. Abstraction) power of iii. 401. Its use üii. 402. 403. Abstract terms) ought to be avoided in poetry i. 294. mii. 198. Cannot be compared but by being per
sonified iii. 6. Personified iji. 65. Defined iii. 402.
The use of abstract terms iii. 495. Accent) defined ii. 361. The musical accents that
are necessary in an hexameter line ii. 376. A low it word must not be accepted ii. 405. Rules for ac
cepting English heroic verse ii. 415. How far af. fected by the pause ii. 422. &c. Accent and pause
have a mutual influence ií. 428. Action) what feelings are raised by human actions i.
48. 49. 27.6. We are impelled to action by de fire i. 55. Some actions are ultimate, some are means leading to an end i. 57. Actions great and elevated, low and groveling i. 276. Emotions occasioned by propriety of action ii. 13. Occasioned by impropriety of action ii. 14. Human actions produce a great variety of emotions ii. 28. Human actions considered with respect to dignity and meanness ii. 35. We are conscious of internal ac
tion as in the head iii. 377. Internal action may
exist without our being conscious of it iii. 377.
the passion he represents ii. 153.
relations accounted for i. 83. To property accounted
ned ii. 87. iii. 394.
in poetry iii. 129. In an historical poem iii. 248.
red i. 31.
Anapæstus ii. 460.
gainst the innocent i, 191. And even against things
Animals) distributed by nature into classes iii. 356.
as they appear, not as they are in reality iii. 172. Appetite) defined i. 59. Appetites' of hunger, thirst,
animal love, arise without an object i. 73. Appe
tite for fame or esteem i. 237. Architecture ch. 24. jil. 294.
Grandeur of manner in architecture i. 294.
The situation of a great house ought to be lofty ii. 7. A playhouse or a music-room susceptible of much ornament ii. Os What emotions can be raised by architecture iis. 297. Its emotions compared with those of gardening iji. 297. Every building ought to have an expression suited to its destination iii. 298. 338. Simplicity ought to be the governing talte iii. 300. Regularity ought to be studied iii. 301. External form of dwelling-houses iii. 324. Divisions within iii. 324. 340. A palace ought to be regular, but in a small house convenience ought chiefly to be studied iii. 326. The form of a dwelling-honfe ought to be suited to the climate iii. 327. Propriety ought to be studied in architecture iii. 338. Governed by principles which produce opposite effects iii. 342. Different ornaments employed by it iii. 342. Allegorical or emblematic ornaments jii. 347. Architecture inspires a taste for neatness and regularity iii. 350. VOL. III.
Architrave iii. 344.
censured ii. 457
place them as much as possible in an increasing fe-
ries ii. 251
Articulate Counds) how far agreeable to the ear ii.
make depends on the degree of attention iii. 396
Attention not always voluntary iii. 398.
iii. 100. &c.
Bacchius ii. 460.
Beauty of fimplicity i. 247. of figure i. 248. of
lar polygon i. 252. of a parallelogram i. 252. of
proper and figurative iii. 388. .
rical painting i. 122. influenced by passion i. 196.
fluenced by affection i. 199.
228. inspired by gardening iii. 320.
438. Its melody ii. 439. &c.
Burlesk distinguished into two kinds ii. 41.
Cadence ii. 348. 362.
have no resemblance : and causes that have no re-
&c. Cause defined iii. 406.
pen by chance iii. 232.
3 F 2