The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 61
... ture , through poetry , acquired its prestige , the formal garden stood condemned . Unpleasing in itself , because ' unnatural , ' it was in addition a barbarous violence , a ruth- less vandalism upon pools and trees . It was an offence ...
... ture , through poetry , acquired its prestige , the formal garden stood condemned . Unpleasing in itself , because ' unnatural , ' it was in addition a barbarous violence , a ruth- less vandalism upon pools and trees . It was an offence ...
Seite 80
... ture , founded , as it is , on construction , could be rendered , even more readily than the rest , in the terms of a purely scientific description ; its aims , moreover , could easily be converted into the ideals of the engineer ...
... ture , founded , as it is , on construction , could be rendered , even more readily than the rest , in the terms of a purely scientific description ; its aims , moreover , could easily be converted into the ideals of the engineer ...
Seite 150
... ture was the fashion : this was inevitable . But the ' Italian ' styles which sprang up in France and England , while they sacrificed the unaffected merits of the old national archi- tecture , were a mere travesty of the foreign . The ...
... ture was the fashion : this was inevitable . But the ' Italian ' styles which sprang up in France and England , while they sacrificed the unaffected merits of the old national archi- tecture , were a mere travesty of the foreign . The ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building