The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
Im Buch
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Seite 134
... true , in a sense , but already it is not ex- actly true . It asks us to regard Brunelleschi's architecture as a less adept solution of Bramante's problem . It presents him as struggling with imperfect instruments after an ideal which ...
... true , in a sense , but already it is not ex- actly true . It asks us to regard Brunelleschi's architecture as a less adept solution of Bramante's problem . It presents him as struggling with imperfect instruments after an ideal which ...
Seite 138
... true decadence . So little is it true that the energy of a race rises and falls in ordered sequence that even in artistic activity the most divergent results were simultaneous ; and while architecture sprang forward , painting lost its ...
... true decadence . So little is it true that the energy of a race rises and falls in ordered sequence that even in artistic activity the most divergent results were simultaneous ; and while architecture sprang forward , painting lost its ...
Seite 196
... true value Its value outside Italy Renaissance architecture as ' natural ' to its period as any other The practical value of academic canons in architecture The weakness of the academic theory of architecture The ideal of ' correctness ...
... true value Its value outside Italy Renaissance architecture as ' natural ' to its period as any other The practical value of academic canons in architecture The weakness of the academic theory of architecture The ideal of ' correctness ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building