The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 61
... sense of history , treating styles as symbols , could look with equal favour on the Gothic and the Greek , and had provoked a romantic revival of both . But the romantic sense of Nature weighted the balance in favour of the medieval ...
... sense of history , treating styles as symbols , could look with equal favour on the Gothic and the Greek , and had provoked a romantic revival of both . But the romantic sense of Nature weighted the balance in favour of the medieval ...
Seite 123
... sense of that word - and the technical : two forms , different indeed in many respects , but alike in this - that both are specialised , both are learned and exact and in some sense cynical . They derive their bias and their pres- ent ...
... sense of that word - and the technical : two forms , different indeed in many respects , but alike in this - that both are specialised , both are learned and exact and in some sense cynical . They derive their bias and their pres- ent ...
Seite 167
... sense of a movement , which , when it reaches that point of a design , is compelled to drop out of step and to dip against its will . Yet the relation of the window to its immediately surround- ing forms might not in itself be ...
... sense of a movement , which , when it reaches that point of a design , is compelled to drop out of step and to dip against its will . Yet the relation of the window to its immediately surround- ing forms might not in itself be ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building