The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 17
... satisfy , an impulse by virtue of which architecture becomes art . It is a separate instinct . Sometimes it will bor- row a suggestion from the laws of firmness or commodity ; sometimes it will run counter to them , or be offended by ...
... satisfy , an impulse by virtue of which architecture becomes art . It is a separate instinct . Sometimes it will bor- row a suggestion from the laws of firmness or commodity ; sometimes it will run counter to them , or be offended by ...
Seite 20
... satisfy them all . And , in the absence of such a principle , it is quite arbitrary to pronounce dogmatically on the concessions which art should make to science or utility . Unless it can be proved that these apparently dif- ferent ...
... satisfy them all . And , in the absence of such a principle , it is quite arbitrary to pronounce dogmatically on the concessions which art should make to science or utility . Unless it can be proved that these apparently dif- ferent ...
Seite 66
... with a profound power to satisfy the mystic's adoration . The argument assumed a different plane . To be ' natural ' was no longer a point merely of poetic charm - it was a point of sanctity . With Ruskin , for example , 66.
... with a profound power to satisfy the mystic's adoration . The argument assumed a different plane . To be ' natural ' was no longer a point merely of poetic charm - it was a point of sanctity . With Ruskin , for example , 66.
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building