The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 131
... periods . There is the period of the Florentine Renaissance - the period of the quattrocento - tentative , experimental , hesitating , with a certain naïve quality that makes for charm but hardly for THE BIOLOGICAL FALLACY 131.
... periods . There is the period of the Florentine Renaissance - the period of the quattrocento - tentative , experimental , hesitating , with a certain naïve quality that makes for charm but hardly for THE BIOLOGICAL FALLACY 131.
Seite 136
... quattrocento ; the life which in the seicento flamed out and gave itself in prodigal abundance to a thousand ventures ; the life which had been smiling and later laughed aloud , flickers too often in these intervening years to a dim ...
... quattrocento ; the life which in the seicento flamed out and gave itself in prodigal abundance to a thousand ventures ; the life which had been smiling and later laughed aloud , flickers too often in these intervening years to a dim ...
Seite 192
... quattrocento painting Italian architectural backgrounds Architecture built and painted ; necessary points of dif- ference Their psychological ground The Baroque as the intellectualisation of the pictur- esque ; blending architectural ...
... quattrocento painting Italian architectural backgrounds Architecture built and painted ; necessary points of dif- ference Their psychological ground The Baroque as the intellectualisation of the pictur- esque ; blending architectural ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building