The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 148
... pleasure go wyth pleasure ; and so the nourishe departed . It chanced that the basket was set upon a certain roote of an herbe called Acanthos , in frenche Branckursine , or bearefote with us . Now in the spring time of the yere , when ...
... pleasure go wyth pleasure ; and so the nourishe departed . It chanced that the basket was set upon a certain roote of an herbe called Acanthos , in frenche Branckursine , or bearefote with us . Now in the spring time of the yere , when ...
Seite 163
... pleasure , and what is merely implied , seems to un- derlie the objection that our theory lays too great a stress on physical states . Our pleasure in architecture , it is true , is primarily one of the mind and the spirit . Yet the ...
... pleasure , and what is merely implied , seems to un- derlie the objection that our theory lays too great a stress on physical states . Our pleasure in architecture , it is true , is primarily one of the mind and the spirit . Yet the ...
Seite 168
... pleasure we ob- tain from architecture - pleasure which seems unaccount- able , or for which we do not trouble to account - springs in reality from space . Even from a utilitarian point of view , space is logically our end . To enclose ...
... pleasure we ob- tain from architecture - pleasure which seems unaccount- able , or for which we do not trouble to account - springs in reality from space . Even from a utilitarian point of view , space is logically our end . To enclose ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building