The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 73
... picturesque could be favourably included ; it was not only in its farms and hill - town buildings , pictorial as their beauty is . The Renaissance ended by reconciling the picturesque with classic architecture itself . The two were ...
... picturesque could be favourably included ; it was not only in its farms and hill - town buildings , pictorial as their beauty is . The Renaissance ended by reconciling the picturesque with classic architecture itself . The two were ...
Seite 75
... picturesque in art , Nature holds architecture in its clasp , and , like the ' marble - rooted fig tree , ' shatters and tortures it in its embrace . The consequences which were in due course to follow from the union are fore- shadowed ...
... picturesque in art , Nature holds architecture in its clasp , and , like the ' marble - rooted fig tree , ' shatters and tortures it in its embrace . The consequences which were in due course to follow from the union are fore- shadowed ...
Seite 77
... picturesque ' as the whole body of musical art to the lazy hum and vaguely occupying murmur of the summer fields ... picturesque ; but the picturesque ideal is at variance with tradition and repugnant to design . Our concern is here with ...
... picturesque ' as the whole body of musical art to the lazy hum and vaguely occupying murmur of the summer fields ... picturesque ; but the picturesque ideal is at variance with tradition and repugnant to design . Our concern is here with ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building