The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 36
... forms of a certain kind . These forms , as such , they preferred , irrespective of their relation to the mechanical means by which they were pro- duced , irrespective of the materials out of which they were constructed , irrespective ...
... forms of a certain kind . These forms , as such , they preferred , irrespective of their relation to the mechanical means by which they were pro- duced , irrespective of the materials out of which they were constructed , irrespective ...
Seite 93
... forms , if they are genuinely felt , will not be modified by anything we may intellectually discover about the complex , mechan- ical conditions , which in a given situation may actually con- tradict the apparent message of the forms ...
... forms , if they are genuinely felt , will not be modified by anything we may intellectually discover about the complex , mechan- ical conditions , which in a given situation may actually con- tradict the apparent message of the forms ...
Seite 167
... forms might not in itself be necessarily ugly . A converse instance may here be given . Classic design -the style which in Italy culminated in Bramante - aims at authority , dignity , and peace . It does this by conveying at every point ...
... forms might not in itself be necessarily ugly . A converse instance may here be given . Classic design -the style which in Italy culminated in Bramante - aims at authority , dignity , and peace . It does this by conveying at every point ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building