The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
Im Buch
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Seite 101
... ethical criticism is a form of the ro- mantic . The moral appeal becomes imaginative and the religious appeal poetic . Nevertheless , the arguments which could dismiss the Romantic Fallacy will not suffice to meet the ethical case . The ...
... ethical criticism is a form of the ro- mantic . The moral appeal becomes imaginative and the religious appeal poetic . Nevertheless , the arguments which could dismiss the Romantic Fallacy will not suffice to meet the ethical case . The ...
Seite 123
... critics on the other side , that moral issues are utterly different from æsthetic issues , and expel the moral criticism of architecture , its vocabulary and xits associations , altogether from our thought ? For this , we #saw , has ...
... critics on the other side , that moral issues are utterly different from æsthetic issues , and expel the moral criticism of architecture , its vocabulary and xits associations , altogether from our thought ? For this , we #saw , has ...
Seite 194
... Ethical Fallacy New grounds of criticism against Renaissance architec- ture ; Ruskin Relation of the ethical criticism to the romantic and to the mechanical Nineteenth - century Puritanism contrasted with that of the seventeenth century ...
... Ethical Fallacy New grounds of criticism against Renaissance architec- ture ; Ruskin Relation of the ethical criticism to the romantic and to the mechanical Nineteenth - century Puritanism contrasted with that of the seventeenth century ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building