The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 28
Seite 89
... effect which the constructive properties make on the eye , and not the scientific facts that may be intellectually ... effect . They may not have entailed consequences contrary to structural requirements , but at least the optical effect ...
... effect which the constructive properties make on the eye , and not the scientific facts that may be intellectually ... effect . They may not have entailed consequences contrary to structural requirements , but at least the optical effect ...
Seite 102
... effect , the ethical criticism of architec- ture attempted to achieve . Nor was there anything absurd in the attempt . The ethical criticism , then , though it claims a different sanction and raises a wider issue , arose from the ...
... effect , the ethical criticism of architec- ture attempted to achieve . Nor was there anything absurd in the attempt . The ethical criticism , then , though it claims a different sanction and raises a wider issue , arose from the ...
Seite 152
... effect . A new æsthetic purpose when it is ready for ex- pression first shows itself and gathers force in a thousand such deviations , all tending in a sole direction . We may mark them , for instance , in the early years of the baroque ...
... effect . A new æsthetic purpose when it is ready for ex- pression first shows itself and gathers force in a thousand such deviations , all tending in a sole direction . We may mark them , for instance , in the early years of the baroque ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building