The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 86
Seite 53
... architecture and the antiquarian criticism of the Romantic fallacy there is a fundamental opposition : and that opposition lies in their attitude to detail . For antiquarian criticism regards detail as the supreme consideration and ...
... architecture and the antiquarian criticism of the Romantic fallacy there is a fundamental opposition : and that opposition lies in their attitude to detail . For antiquarian criticism regards detail as the supreme consideration and ...
Seite 101
... Architecture had become a mirror to literary preferences and literary ... architecture came to symbolise those states of human character in the crafts- man ... criticism is a form of the ro- mantic . The moral appeal becomes imaginative ...
... Architecture had become a mirror to literary preferences and literary ... architecture came to symbolise those states of human character in the crafts- man ... criticism is a form of the ro- mantic . The moral appeal becomes imaginative ...
Seite 123
... critics on the other side , that moral issues are utterly different from æsthetic issues , and expel the moral criticism of architecture , its vocabulary and xits associations , altogether from our thought ? For this , we #saw , has ...
... critics on the other side , that moral issues are utterly different from æsthetic issues , and expel the moral criticism of architecture , its vocabulary and xits associations , altogether from our thought ? For this , we #saw , has ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building