The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 156
... Coherence constitute , in archi- tecture , the four great provinces of that geometry . When it has satisfied science with ' firmness , ' and common use with its commodity , architecture , becoming art , achieves , through these four ...
... Coherence constitute , in archi- tecture , the four great provinces of that geometry . When it has satisfied science with ' firmness , ' and common use with its commodity , architecture , becoming art , achieves , through these four ...
Seite 175
... Coherence in architecture , distinct though it is from beauty , has a function of its own . Humanised mass , space , and line are the basis of beauty , but coherence is the basis of style . Mass , space , and line afford the material of ...
... Coherence in architecture , distinct though it is from beauty , has a function of its own . Humanised mass , space , and line are the basis of beauty , but coherence is the basis of style . Mass , space , and line afford the material of ...
Seite 176
... coherence in architecture ; what is simultaneously seen must be simultaneously understood . The eye and the mind must travel together ; thought and vision move at one pace and in step . Any breach in con- tinuity , whether of mood or ...
... coherence in architecture ; what is simultaneously seen must be simultaneously understood . The eye and the mind must travel together ; thought and vision move at one pace and in step . Any breach in con- tinuity , whether of mood or ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building