The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 99
... chitecture is bad in itself , inherently , because it is insincere ( for instance ) or ostentatious ; because the ' moral nature of it is corrupt . ' These darts , if the fury of intolerance firmed him . Fitness of construction is his ...
... chitecture is bad in itself , inherently , because it is insincere ( for instance ) or ostentatious ; because the ' moral nature of it is corrupt . ' These darts , if the fury of intolerance firmed him . Fitness of construction is his ...
Seite 107
... chitecture of steel , whatever their initial failures , could claim to be still untried ; from them might still spring the 4 Abuses in the organisation of society may sometimes , as in the French eighteenth century , be a precondition ...
... chitecture of steel , whatever their initial failures , could claim to be still untried ; from them might still spring the 4 Abuses in the organisation of society may sometimes , as in the French eighteenth century , be a precondition ...
Seite 143
... chitecture all grace and lightness and charm ; slight in the #projection of its mouldings , slight in the body of its shafts , and wreathed with slender ornament : a style not rigid or of too strict a rule , seldom massive , and then ...
... chitecture all grace and lightness and charm ; slight in the #projection of its mouldings , slight in the body of its shafts , and wreathed with slender ornament : a style not rigid or of too strict a rule , seldom massive , and then ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building