The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 14
Seite 34
... builders . But what in medieval construction had been an exceptional remedy , was accepted by the Ren- aissance builders as an obvious and legitimate resource . There was nothing novel in the expedient . Its frequent recurrence ...
... builders . But what in medieval construction had been an exceptional remedy , was accepted by the Ren- aissance builders as an obvious and legitimate resource . There was nothing novel in the expedient . Its frequent recurrence ...
Seite 35
... builders of the Pitti Palace , as it had assisted the Etruscans before them . Probably the inspiration lay rather in the Etruscan tradition than in the material itself . Still , had the Florentine builders rested content with the Etrus ...
... builders of the Pitti Palace , as it had assisted the Etruscans before them . Probably the inspiration lay rather in the Etruscan tradition than in the material itself . Still , had the Florentine builders rested content with the Etrus ...
Seite 38
... builders . To ignore this rejoinder would be to fall into the common error of dogmatic criticism , and to neglect a large part of actual artistic experience . But it is a view of archi- tecture which the Renaissance builders , at least ...
... builders . To ignore this rejoinder would be to fall into the common error of dogmatic criticism , and to neglect a large part of actual artistic experience . But it is a view of archi- tecture which the Renaissance builders , at least ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building