The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 12
Seite 30
... artistic temperament within the spell of Rome , gave architecture , in perfect combination , the focus and the liberty , the varied impulse and the renewed vitality necessary for mak- ing a great imaginative experiment under the ...
... artistic temperament within the spell of Rome , gave architecture , in perfect combination , the focus and the liberty , the varied impulse and the renewed vitality necessary for mak- ing a great imaginative experiment under the ...
Seite 32
... artistic uses that this wealth , this power , and these opportunities , were devoted , and to artistic uses of a particular kind . Rich and flourishing societies have not seldom grown up , and are growing up in our own time , without ...
... artistic uses that this wealth , this power , and these opportunities , were devoted , and to artistic uses of a particular kind . Rich and flourishing societies have not seldom grown up , and are growing up in our own time , without ...
Seite 90
... artistic necessities of architecture should be satisfied by one and the same expedient , its search for structural beauty would have been hampered at every turn . And , since this dilemma was ob- vious to every one , no one was offended ...
... artistic necessities of architecture should be satisfied by one and the same expedient , its search for structural beauty would have been hampered at every turn . And , since this dilemma was ob- vious to every one , no one was offended ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building