The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 110
... aesthetic quality of architecture and its social result . To confuse the social consequences with the æsthetic value would be an ordinary instance of the Ro- mantic Fallacy . Those were not necessarily the worst poets whom Plato ...
... aesthetic quality of architecture and its social result . To confuse the social consequences with the æsthetic value would be an ordinary instance of the Ro- mantic Fallacy . Those were not necessarily the worst poets whom Plato ...
Seite 122
... æsthetic purpose of the work determines the means to be employed . That ... æsthetic purpose has been impartially dis- cerned . An artist may fail in what he has ... value of the style . IV Thus far it may seem that whenever the criticism 122.
... æsthetic purpose of the work determines the means to be employed . That ... æsthetic purpose has been impartially dis- cerned . An artist may fail in what he has ... value of the style . IV Thus far it may seem that whenever the criticism 122.
Seite 195
... æsthetic to ethical values SIX PAGE 123 125 Président de Brosses ; Goethe The Biological Fallacy Evolution and the interest in ... value entailed in this en- largement 129 Substitution of historical interest for æsthetic value Failure of ...
... æsthetic to ethical values SIX PAGE 123 125 Président de Brosses ; Goethe The Biological Fallacy Evolution and the interest in ... value entailed in this en- largement 129 Substitution of historical interest for æsthetic value Failure of ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building