The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 41
... Romanticism may be said to consist in a high develop- ment of poetic sensibility towards the remote , as such . It idealises the distant , both of time and place ; it identifies beauty with strangeness . In the curious and the extreme ...
... Romanticism may be said to consist in a high develop- ment of poetic sensibility towards the remote , as such . It idealises the distant , both of time and place ; it identifies beauty with strangeness . In the curious and the extreme ...
Seite 76
... romanticism of natural simplicity : the romanticism of Wordsworth and of a ' rustic ' architecture . Architecture , in fact , can be picturesque without affectation , and various without disquiet . Why should not this be favoured ...
... romanticism of natural simplicity : the romanticism of Wordsworth and of a ' rustic ' architecture . Architecture , in fact , can be picturesque without affectation , and various without disquiet . Why should not this be favoured ...
Seite 191
... Romanticism Romanticism in architecture : conditions essential for its success Failure of our ' romantic ' architecture to comply with these conditions PAGE 38 40 40 41 42 43 First evidences of the Romantic Movement in architec- ture ...
... Romanticism Romanticism in architecture : conditions essential for its success Failure of our ' romantic ' architecture to comply with these conditions PAGE 38 40 40 41 42 43 First evidences of the Romantic Movement in architec- ture ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building