The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 17
Seite 146
... Rome to an ideal , it was naturally in Roman design that this authority was sought . Roman buildings had to provide not merely an inspiration , but a rule . Thus the mere æsthetic necessities of the case were suffi- cient to lead the ...
... Rome to an ideal , it was naturally in Roman design that this authority was sought . Roman buildings had to provide not merely an inspiration , but a rule . Thus the mere æsthetic necessities of the case were suffi- cient to lead the ...
Seite 151
... Roman buildings corresponded but imperfectly to his laws ; the Greek move- ment dethroned the authority of Rome itself ; science turned its back on Greece and Rome together ; and Ro- manticism , with its myth of ' untaught genius ...
... Roman buildings corresponded but imperfectly to his laws ; the Greek move- ment dethroned the authority of Rome itself ; science turned its back on Greece and Rome together ; and Ro- manticism , with its myth of ' untaught genius ...
Seite 181
... Roman design in architecture came with it as of right . But there was now a difference in its intent . Hu- manism has two enemies - chaos and inhuman order . In antiquity humanism strove principally against the primitive confusion of ...
... Roman design in architecture came with it as of right . But there was now a difference in its intent . Hu- manism has two enemies - chaos and inhuman order . In antiquity humanism strove principally against the primitive confusion of ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building