The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
Im Buch
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Seite 53
... Renaissance architecture and the antiquarian criticism of the Romantic fallacy there is a fundamental opposition ... architecture regards it as a secondary and subservient consideration . And not only do they give it a different degree ...
... Renaissance architecture and the antiquarian criticism of the Romantic fallacy there is a fundamental opposition ... architecture regards it as a secondary and subservient consideration . And not only do they give it a different degree ...
Seite 54
... architecture suffered from this , and still suffers , both by neglect , and by misinterpretation . It was inevitable that Romantic criticism should neglect the Renaissance style . Its antiquarian enthu- siasts found in it no free scope ...
... architecture suffered from this , and still suffers , both by neglect , and by misinterpretation . It was inevitable that Romantic criticism should neglect the Renaissance style . Its antiquarian enthu- siasts found in it no free scope ...
Seite 142
... Renaissance architecture , like our modern ' revivals , ' lacks the merit that belongs to the natural products of a time and place . It is too ... Architecture . fluence in Renaissance architecture takes wholly different forms . The 142.
... Renaissance architecture , like our modern ' revivals , ' lacks the merit that belongs to the natural products of a time and place . It is too ... Architecture . fluence in Renaissance architecture takes wholly different forms . The 142.
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building