The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 36
Seite 45
... Gothic , and the Arabesque , and charmingly vague about their limits . Their studies are pursued without calling in question the superior fitness of the classical tradition . Nevertheless , the orthodoxies of archæology now hold sway ...
... Gothic , and the Arabesque , and charmingly vague about their limits . Their studies are pursued without calling in question the superior fitness of the classical tradition . Nevertheless , the orthodoxies of archæology now hold sway ...
Seite 61
... Gothic and the Greek , and had provoked a romantic revival of both . But the romantic sense of Nature weighted the balance in favour of the medieval . The Gothic build- ers belonged to the ' nobly savage ' north , and had built against ...
... Gothic and the Greek , and had provoked a romantic revival of both . But the romantic sense of Nature weighted the balance in favour of the medieval . The Gothic build- ers belonged to the ' nobly savage ' north , and had built against ...
Seite 84
... Gothic , the argument from these is clearly not , in itself , an adequate condemnation of a different practice employed by the Romans and the Ren- aissance , which has enjoyed its own popularity , and whose case has not yet been tried ...
... Gothic , the argument from these is clearly not , in itself , an adequate condemnation of a different practice employed by the Romans and the Ren- aissance , which has enjoyed its own popularity , and whose case has not yet been tried ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building