The Architecture of Humanism: A Study in the History of TasteDoubleday, 1954 - 197 Seiten |
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Seite 20
... Brunelleschi , in the fifteenth century , to the rise of the Gothic movement , by which , four hundred years later , they were eclipsed . The old mediævalism , and the new , mark the boundaries of our subject . At no point in the four ...
... Brunelleschi , in the fifteenth century , to the rise of the Gothic movement , by which , four hundred years later , they were eclipsed . The old mediævalism , and the new , mark the boundaries of our subject . At no point in the four ...
Seite 134
... Brunelleschi the herald , and Bramante the achiever , must come Bernini and the fall . Let us retrace the biologic myth . The period of Brunelleschi is tentative and immature - unskilled , but charming . This is true , in a sense , but ...
... Brunelleschi the herald , and Bramante the achiever , must come Bernini and the fall . Let us retrace the biologic myth . The period of Brunelleschi is tentative and immature - unskilled , but charming . This is true , in a sense , but ...
Seite 143
... Brunelleschi is in spirit a devout obedience to the antique ; in result , it produced a style of rare originality . The ' seeker for buried treasure , ' as the Ro- mans called him , seeing him day after day bent eagerly among their ...
... Brunelleschi is in spirit a devout obedience to the antique ; in result , it produced a style of rare originality . The ' seeker for buried treasure , ' as the Ro- mans called him , seeing him day after day bent eagerly among their ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms GEOFFREY SCOTT give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building