A Sentimental Journey Through France and Italy

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CreateSpace Independent Publishing Platform, 2014 - 104 Seiten
9 Rezensionen
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"[...]ransom of the unfortunate. - The monk made me a bow. - But of all others, resumed I, the unfortunate of our own country, surely, have the first rights; and I have left thousands in distress upon our own shore. - The monk gave a cordial wave with his head, - as much as to say, No doubt there is misery enough in every corner of the world, as well as within our convent - But we distinguish, said I, laying my hand upon the sleeve of his tunic, in return for his appeal - we distinguish, my good father! betwixt those who wish only to eat the bread of their own labour - and those who eat the bread of other people's, and have no other plan in life, but to get through it in sloth and ignorance, for the love of God. The poor Franciscan made no reply: a hectic of a moment pass'd across his cheek, but could not tarry - Nature seemed to have done with her resentments in him; - he showed none: - but letting his staff fall within his arms, he pressed both his hands with resignation upon his breast, and retired. THE MONK. CALAIS. [...]".

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LibraryThing Review

Nutzerbericht  - john257hopper - LibraryThing

This 250 year old novel was a fictional satire on a more serious non-fictional account of a journey through France and Italy by Sterne's contemporary Tobias Smollett. The satire is in the fact that ... Vollständige Rezension lesen

LibraryThing Review

Nutzerbericht  - Marse - LibraryThing

A Sentimental Journey is the story of a man traveling from England to France and back and his adventures, or should I say, his encounters during the trip. We don't get a lot of "travel" descriptions ... Vollständige Rezension lesen

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Über den Autor (2014)

If Fielding showed that the novel (like the traditional epic or drama) could make the chaos of life coherent in art, Sterne only a few years later in The Life and Opinions of Tristram Shandy, Gentleman (1760--67) laughed away the notion of order. In Sterne's world, people are sealed off in their own minds so that only in unpredictable moments of spontaneous feeling are they aware of another human being. Reviewers attacked the obscenity of Tristram's imagined autobiography as it was published (two volumes each in 1759, early 1761, late 1761, 1765, and one in 1767), particularly when the author revealed himself as a clergyman, but the presses teemed with imitations of this great literary hit of the 1760s. Through the mind of the eccentric hero, Sterne subverted accepted ideas on conception, birth, childhood, education, and the contemplation of maturity and death, so that Tristram's concerns touched his contemporaries and are still important. Since Tristram Shandy is patently a great and lasting comic work that yet seems, as E. M. Forster said, "ruled by the Great God Muddle," much recent criticism has centered on the question of its unity or lack of it; and its manipulation of time and of mental processes has been considered particularly relevant to the problems of fiction in our day. Sterne's Sentimental Journey (1768) has been immensely admired by some critics for its superb tonal balance of irony and sentiment. His Sermons of Mr. Yorick (1760) catches the spirit of its time by dramatically preaching benevolence and sympathy as superior to doctrine. Whether as Tristram or as Yorick, Sterne is probably the most memorably personal voice in eighteenth-century fiction.

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