THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 4
... ture of humanism . Scott's subsequent career had little to do with architec- ture . The outbreak of the Great War at the time of the book's publication forced him into other paths . He re- mained in Italy , attached to the British ...
... ture of humanism . Scott's subsequent career had little to do with architec- ture . The outbreak of the Great War at the time of the book's publication forced him into other paths . He re- mained in Italy , attached to the British ...
Seite 61
... ture , through poetry , acquired its prestige , the formal garden stood condemned . Unpleasing in itself , because ' unnatural , ' it was in addition a barbarous violence , a ruth- less vandalism upon pools and trees . It was an offence ...
... ture , through poetry , acquired its prestige , the formal garden stood condemned . Unpleasing in itself , because ' unnatural , ' it was in addition a barbarous violence , a ruth- less vandalism upon pools and trees . It was an offence ...
Seite 150
... ture was the fashion : this was inevitable . But the ' Italian ' styles which sprang up in France and England , while they sacrificed the unaffected merits of the old national archi- tecture , were a mere travesty of the foreign . The ...
... ture was the fashion : this was inevitable . But the ' Italian ' styles which sprang up in France and England , while they sacrificed the unaffected merits of the old national archi- tecture , were a mere travesty of the foreign . The ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius