THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 8
... true relation of taste to ideas , and the influence which each has exerted on the other , that our present confusion has re- sulted . I have attempted , consequently , in the very narrow field with which this book is concerned , to ...
... true relation of taste to ideas , and the influence which each has exerted on the other , that our present confusion has re- sulted . I have attempted , consequently , in the very narrow field with which this book is concerned , to ...
Seite 134
... true , in a sense , but already it is not ex- actly true . It asks us to regard Brunelleschi's architecture as a less adept solution of Bramante's problem . It presents him as struggling with imperfect instruments after an ideal which ...
... true , in a sense , but already it is not ex- actly true . It asks us to regard Brunelleschi's architecture as a less adept solution of Bramante's problem . It presents him as struggling with imperfect instruments after an ideal which ...
Seite 138
... true decadence . So little is it true that the energy of a race rises and falls in ordered sequence that even in artistic activity the most divergent results were simultaneous ; and while architecture sprang forward , painting lost its ...
... true decadence . So little is it true that the energy of a race rises and falls in ordered sequence that even in artistic activity the most divergent results were simultaneous ; and while architecture sprang forward , painting lost its ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius