THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 3
... tradition . We today are not quite so disdainful of the classical as were the more outspoken architectural critics of the last century and of a generation ago . Even the " American Renaissance " that began in the 1880's and disappeared ...
... tradition . We today are not quite so disdainful of the classical as were the more outspoken architectural critics of the last century and of a generation ago . Even the " American Renaissance " that began in the 1880's and disappeared ...
Seite 21
... tradition which was never fundamentally deserted , until in the nineteenth century traditionalism it- self was cast aside . It is in Italy , where Renaissance architecture was native , that we shall follow this tradition . The ...
... tradition which was never fundamentally deserted , until in the nineteenth century traditionalism it- self was cast aside . It is in Italy , where Renaissance architecture was native , that we shall follow this tradition . The ...
Seite 123
... traditions of crit- icism . On the one hand there is a tradition in which the errors examined in this chapter find their soil ; a tradition of criticism constantly unjust , sometimes unctuous , often ignorant ; a tradition ...
... traditions of crit- icism . On the one hand there is a tradition in which the errors examined in this chapter find their soil ; a tradition of criticism constantly unjust , sometimes unctuous , often ignorant ; a tradition ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius