THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
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Seite 168
... space . Architecture alone of the Arts can give space its full value . It can surround us with a void of three dimensions ; and whatever delight may be derived from that is the gift of architecture alone . Paint- ing can depict space ...
... space . Architecture alone of the Arts can give space its full value . It can surround us with a void of three dimensions ; and whatever delight may be derived from that is the gift of architecture alone . Paint- ing can depict space ...
Seite 169
... space demands it . Even if we stand still , the eye is drawn down the perspective , and we , in imagination , follow it . The space has suggested a movement . Once this suggestion has been set up , every- thing which accords with it ...
... space demands it . Even if we stand still , the eye is drawn down the perspective , and we , in imagination , follow it . The space has suggested a movement . Once this suggestion has been set up , every- thing which accords with it ...
Seite 170
... spaces which sat- isfy it should appear beautiful , those which offend it ugly . We cannot , however , lay down fixed proportions of space as architecturally right . Space value in architecture is af- fected first and foremost , no ...
... spaces which sat- isfy it should appear beautiful , those which offend it ugly . We cannot , however , lay down fixed proportions of space as architecturally right . Space value in architecture is af- fected first and foremost , no ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
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The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius