THE ARCHITECTURE OF HUMANISM A Study in the History of Taste1969 |
Im Buch
Ergebnisse 1-3 von 27
Seite 79
... scientific in- vestigations for which it became distinguished . Every activity in life , and even the philosophy of life itself , was interpreted by the method which , in one partic- ular field , had proved so fruitful . Every aspect of ...
... scientific in- vestigations for which it became distinguished . Every activity in life , and even the philosophy of life itself , was interpreted by the method which , in one partic- ular field , had proved so fruitful . Every aspect of ...
Seite 83
... scientific ' answer to the first of these questions ; let us see where it leads us , and if it leads us into difficulties , let us modify it as best we can , in accordance with the scientific point of view . ' Architecture , ' such ...
... scientific ' answer to the first of these questions ; let us see where it leads us , and if it leads us into difficulties , let us modify it as best we can , in accordance with the scientific point of view . ' Architecture , ' such ...
Seite 94
... scientific as- sailant refuses to admit the distinction between knowing and feeling to be important , and claims - for to this it seems he is reduced - that æsthetic feeling is consequent on all we know , and that architectural beauty ...
... scientific as- sailant refuses to admit the distinction between knowing and feeling to be important , and claims - for to this it seems he is reduced - that æsthetic feeling is consequent on all we know , and that architectural beauty ...
Inhalt
Foreword by Henry Hope Reed | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
The Architecture of Humanism: A Study in the History of Taste Geoffrey Scott Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archi ARCHITECTURE OF HUMANISM argument artistic baroque architects beauty Bernini Bramante Brunelleschi building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false forms Geoffrey Scott give Gothic Gothic revival Greek humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic Mary Berenson mass material means mechanical mediæval ment mind modern moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific Scott sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius